Symphony No. 1
E782578
Symphony No. 1 is Leonard Bernstein’s early large-scale orchestral work, often called "Jeremiah," which blends symphonic form with vocal elements and Jewish liturgical themes.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Symphony No. 1 canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T9036633 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Symphony No. 1 Context triple: [Bernstein Symphony No. 1, title, Symphony No. 1]
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A.
Symphony No. 1
Symphony No. 1 is an early large-scale orchestral work by British composer Malcolm Arnold that showcases his distinctive, energetic, and often sharply contrasted musical style.
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B.
Symphony No. 1
Symphony No. 1 is a large-scale orchestral work by British composer Peter Maxwell Davies that reflects his distinctive modernist style and often intense, dramatic musical language.
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C.
Symphony No. 1
Symphony No. 1 is an early orchestral work by American composer Elliott Carter that showcases the beginnings of his transition from neoclassical influences toward a more complex, modernist style.
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D.
Symphony No. 1
Symphony No. 1, commonly known as "A Sea Symphony," is Ralph Vaughan Williams’s expansive choral symphony that sets Walt Whitman’s sea-themed poetry to music.
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E.
Symphony No. 1
Symphony No. 1 is an early large-scale orchestral work by British composer Richard Rodney Bennett that showcases his blend of modernist technique and lyrical expression.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Symphony No. 1 Target entity description: Symphony No. 1 is Leonard Bernstein’s early large-scale orchestral work, often called "Jeremiah," which blends symphonic form with vocal elements and Jewish liturgical themes.
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A.
Symphony No. 1
Symphony No. 1 is an orchestral work by American composer John Harbison that showcases his modern yet accessible neoclassical style.
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B.
Symphony No. 1
Symphony No. 1 is an orchestral work by American composer Ned Rorem that showcases his lyrical, tonal-modern style and helped establish his reputation in mid-20th-century classical music.
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C.
Symphony No. 1
Symphony No. 1 is a large-scale orchestral work by Czech composer Bohuslav Martinů, reflecting his distinctive blend of neoclassicism, folk influences, and modern harmonies.
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D.
Symphony No. 1
Symphony No. 1 is an early large-scale orchestral work by British composer Richard Rodney Bennett that showcases his blend of modernist technique and lyrical expression.
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E.
Symphony No. 1
Symphony No. 1 is an early large-scale orchestral work by Austrian composer Ernst Toch that showcases his emerging modernist style and craftsmanship.
- F. None of above. chosen
Statements (46)
| Predicate | Object |
|---|---|
| instanceOf |
choral symphony
ⓘ
symphony ⓘ |
| alsoKnownAs | Jeremiah NERFINISHED ⓘ |
| approximateCompositionEndYear | 1943 ⓘ |
| approximateCompositionStartYear | 1942 ⓘ |
| basedOn | Book of Jeremiah NERFINISHED ⓘ |
| composer | Leonard Bernstein NERFINISHED ⓘ |
| countryOfOrigin |
United States of America
ⓘ
surface form:
United States
|
| duration | approximately 30 minutes ⓘ |
| featuresVoiceType |
contralto
ⓘ
mezzo-soprano ⓘ |
| followsInCatalogue | early orchestral works by Leonard Bernstein ⓘ |
| genre | 20th-century classical music ⓘ |
| hasMovement |
I. Prophecy
NERFINISHED
ⓘ
II. Profanation NERFINISHED ⓘ III. Lamentation NERFINISHED ⓘ |
| influencedBy |
Jewish liturgical music
ⓘ
Mahlerian symphonic tradition ⓘ |
| key | various keys ⓘ |
| languageOfVocalText | Hebrew ⓘ |
| movementCount | 3 ⓘ |
| nickname | Jeremiah NERFINISHED ⓘ |
| notableFor |
being Leonard Bernstein’s first symphony
ⓘ
integration of Hebrew text into a symphonic form ⓘ |
| partOf | Leonard Bernstein’s symphonies NERFINISHED ⓘ |
| premiereCity | Pittsburgh NERFINISHED ⓘ |
| premiereConductor | Leonard Bernstein NERFINISHED ⓘ |
| premiereCountry | United States NERFINISHED ⓘ |
| premiereDate | 1944 ⓘ |
| premiereOrchestra | Pittsburgh Symphony Orchestra NERFINISHED ⓘ |
| scoredFor |
mezzo-soprano or contralto soloist
ⓘ
orchestra ⓘ |
| structure | three-movement symphony with final vocal movement ⓘ |
| styleCharacteristic |
blends symphonic form with vocal elements
ⓘ
expressive, dramatic orchestration ⓘ incorporates Jewish liturgical modes ⓘ |
| textSource |
Book of Jeremiah
NERFINISHED
ⓘ
Hebrew Lamentations NERFINISHED ⓘ |
| theme |
Jewish identity
ⓘ
lamentation ⓘ national catastrophe ⓘ profanation ⓘ prophecy ⓘ religious faith ⓘ |
| title | Symphony No. 1 NERFINISHED ⓘ |
| usesTheme | Jewish liturgical themes ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Symphony No. 1 Description of subject: Symphony No. 1 is Leonard Bernstein’s early large-scale orchestral work, often called "Jeremiah," which blends symphonic form with vocal elements and Jewish liturgical themes.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.