The Hobbit: The Battle of the Five Armies (score)

E765003

The Hobbit: The Battle of the Five Armies (score) is Howard Shore’s orchestral film soundtrack that concludes his musical trilogy for Peter Jackson’s adaptation of J.R.R. Tolkien’s The Hobbit, featuring epic themes and motifs that tie into the larger Middle-earth saga.

All labels observed (4)

How this entity was disambiguated

Statements (48)

Predicate Object
instanceOf film score
soundtrack album
associatedWithDirector Peter Jackson
associatedWithFranchise Middle-earth film series
basedOn The Hobbit by J. R. R. Tolkien
linked to: The Hobbit
chronologicallyBefore The Lord of the Rings: The Fellowship of the Ring (film) in narrative timeline
composer Howard Shore
concludes Howard Shore’s The Hobbit score trilogy
connectsCharacters Bard the Bowman
Bilbo Baggins
Gandalf
Legolas
Thorin Oakenshield
connectsToWork The Hobbit: An Unexpected Journey (score)
The Hobbit: The Desolation of Smaug (score)
countryOfOrigin Canada–New Zealand–United States co-production context
features Dwarven musical motifs
Elven musical motifs
Shire musical themes
motifs associated with Middle-earth
themes from The Lord of the Rings film scores
follows The Hobbit: The Desolation of Smaug (score)
forWork The Hobbit: The Battle of the Five Armies (film)
franchise The Hobbit film trilogy
genre film score
symphonic
hasPart music for the Battle of the Five Armies sequence
music for the White Council and Dol Guldur
music for the evacuation of Lake-town
music for the fall of Thorin Oakenshield
language instrumental
notableFor choral writing
epic battle cues
integration of thematic material from earlier films
orchestration orchestral
partOf The Hobbit film trilogy (scores)
precedes The Lord of the Rings: The Fellowship of the Ring (score) in Middle-earth chronology
producer Howard Shore
publisher WaterTower Music
recordedFor Metro-Goldwyn-Mayer
New Line Cinema
WingNut Films
releaseContext released in conjunction with the 2014 film
setting Middle-earth
style late-Romantic orchestral writing
leitmotif-based composition
tiesInto The Hobbit (film score) cycle
The Lord of the Rings (film score) cycle

How these facts were elicited

Referenced by (5)

Full triples — surface form annotated when it differs from this entity's canonical label.

Howard Shore composed The Hobbit: The Battle of the Five Armies (score)
subject linked to: Shore
The Hobbit: The Desolation of Smaug (score) precedes The Hobbit: The Battle of the Five Armies (score)
The Last Goodbye includedIn original motion picture soundtrack of The Hobbit: The Battle of the Five Armies
linked to: The Hobbit: The Battle of the Five Armies (score)
The Hobbit: The Battle of the Five Armies (score) concludes Howard Shore’s The Hobbit score trilogy
linked to: The Hobbit: The Battle of the Five Armies (score)
The Hobbit: The Battle of the Five Armies (score) tiesInto The Hobbit (film score) cycle
linked to: The Hobbit: The Battle of the Five Armies (score)