A Scale, a Mirror, and Those Indifferent Clocks
E750211
"A Scale, a Mirror, and Those Indifferent Clocks" is an experimental spoken-word interlude from Bright Eyes’ album *Fevers and Mirrors*, featuring a mock radio interview that reflects on themes of identity, perception, and emotional turmoil.
All labels observed (1)
| Label | Occurrences |
|---|---|
| A Scale, a Mirror, and Those Indifferent Clocks canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T8672015 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: A Scale, a Mirror, and Those Indifferent Clocks Context triple: [Fevers and Mirrors, track, A Scale, a Mirror, and Those Indifferent Clocks]
-
A.
Done with Mirrors
"Done with Mirrors" is a 1985 hard rock album by Aerosmith that marked the band's reunion with guitarist Joe Perry and a transitional period before their major late-1980s comeback.
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B.
The Mirror Has Two Faces
The Mirror Has Two Faces is a 1996 romantic comedy-drama film directed by and starring Barbra Streisand, featuring Lauren Bacall in an acclaimed supporting role.
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C.
Under the Eye of the Clock
Under the Eye of the Clock is an autobiographical novel by Irish writer Christopher Nolan that recounts his experiences living with severe cerebral palsy and his struggle to communicate and gain an education.
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D.
The Visible and the Invisible
The Visible and the Invisible is an unfinished, posthumously published philosophical work by Maurice Merleau-Ponty that deepens his phenomenology by exploring perception, embodiment, and the intertwining of subject and world.
-
E.
The Refusal of Time
The Refusal of Time is a multimedia installation by South African artist William Kentridge that combines film, sculpture, sound, and performance to explore the nature and perception of time.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: A Scale, a Mirror, and Those Indifferent Clocks Target entity description: "A Scale, a Mirror, and Those Indifferent Clocks" is an experimental spoken-word interlude from Bright Eyes’ album *Fevers and Mirrors*, featuring a mock radio interview that reflects on themes of identity, perception, and emotional turmoil.
-
A.
Done with Mirrors
"Done with Mirrors" is a 1985 hard rock album by Aerosmith that marked the band's reunion with guitarist Joe Perry and a transitional period before their major late-1980s comeback.
-
B.
The Mirror Has Two Faces
The Mirror Has Two Faces is a 1996 romantic comedy-drama film directed by and starring Barbra Streisand, featuring Lauren Bacall in an acclaimed supporting role.
-
C.
Under the Eye of the Clock
Under the Eye of the Clock is an autobiographical novel by Irish writer Christopher Nolan that recounts his experiences living with severe cerebral palsy and his struggle to communicate and gain an education.
-
D.
The Visible and the Invisible
The Visible and the Invisible is an unfinished, posthumously published philosophical work by Maurice Merleau-Ponty that deepens his phenomenology by exploring perception, embodiment, and the intertwining of subject and world.
-
E.
The Refusal of Time
The Refusal of Time is a multimedia installation by South African artist William Kentridge that combines film, sculpture, sound, and performance to explore the nature and perception of time.
- F. None of above. chosen
Statements (25)
| Predicate | Object |
|---|---|
| instanceOf |
song
ⓘ
spoken-word interlude ⓘ track ⓘ |
| album | Fevers and Mirrors NERFINISHED ⓘ |
| artist | Bright Eyes NERFINISHED ⓘ |
| countryOfOrigin |
United States of America
ⓘ
surface form:
United States
|
| format | mock radio interview ⓘ |
| genre |
indie rock
ⓘ
spoken word ⓘ |
| hasTitle | A Scale, a Mirror, and Those Indifferent Clocks NERFINISHED ⓘ |
| language | English ⓘ |
| medium | audio recording ⓘ |
| narrativeStyle | interview ⓘ |
| partOf | Fevers and Mirrors NERFINISHED ⓘ |
| performer | Conor Oberst NERFINISHED ⓘ |
| releaseType | album track ⓘ |
| structure | dialogue-based track ⓘ |
| theme |
emotional turmoil
ⓘ
identity ⓘ perception ⓘ self-reflection ⓘ |
| tone |
introspective
ⓘ
melancholic ⓘ self-aware ⓘ |
| usedIn | album narrative of Fevers and Mirrors NERFINISHED ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: A Scale, a Mirror, and Those Indifferent Clocks Description of subject: "A Scale, a Mirror, and Those Indifferent Clocks" is an experimental spoken-word interlude from Bright Eyes’ album *Fevers and Mirrors*, featuring a mock radio interview that reflects on themes of identity, perception, and emotional turmoil.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.