Suite in B-flat major, HWV 434, by George Frideric Handel
E739723
The Suite in B-flat major, HWV 434, by George Frideric Handel is a Baroque keyboard suite whose final movement’s theme later became famous as the basis for Brahms’s “Variations and Fugue on a Theme by Handel.”
All labels observed (1)
| Label | Occurrences |
|---|---|
| Suite in B-flat major, HWV 434, by George Frideric Handel canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T8520363 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Suite in B-flat major, HWV 434, by George Frideric Handel Context triple: [Variations and Fugue on a Theme by Handel, Op. 24, basedOnWork, Suite in B-flat major, HWV 434, by George Frideric Handel]
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A.
HWV 40
HWV 40 is the catalogue number for George Frideric Handel’s opera "Serse" (Xerxes), best known for its famous aria "Ombra mai fu."
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B.
HWV 61
HWV 61 is the catalogue number for George Frideric Handel’s English oratorio "Belshazzar," composed in the mid-18th century.
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C.
HWV 54
HWV 54 is the catalogue number for George Frideric Handel’s oratorio "Israel in Egypt," a major choral work first performed in 1739.
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D.
HWV 68
HWV 68 is the catalogue number for George Frideric Handel’s English oratorio "Theodora," first performed in 1750.
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E.
HWV 260
HWV 260 is one of George Frideric Handel’s Coronation Anthems, composed for the coronation of a British monarch in the early 18th century.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Suite in B-flat major, HWV 434, by George Frideric Handel Target entity description: The Suite in B-flat major, HWV 434, by George Frideric Handel is a Baroque keyboard suite whose final movement’s theme later became famous as the basis for Brahms’s “Variations and Fugue on a Theme by Handel.”
-
A.
HWV 40
HWV 40 is the catalogue number for George Frideric Handel’s opera "Serse" (Xerxes), best known for its famous aria "Ombra mai fu."
-
B.
HWV 61
HWV 61 is the catalogue number for George Frideric Handel’s English oratorio "Belshazzar," composed in the mid-18th century.
-
C.
HWV 54
HWV 54 is the catalogue number for George Frideric Handel’s oratorio "Israel in Egypt," a major choral work first performed in 1739.
-
D.
HWV 68
HWV 68 is the catalogue number for George Frideric Handel’s English oratorio "Theodora," first performed in 1750.
-
E.
HWV 260
HWV 260 is one of George Frideric Handel’s Coronation Anthems, composed for the coronation of a British monarch in the early 18th century.
- F. None of above. chosen
Statements (38)
| Predicate | Object |
|---|---|
| instanceOf |
Baroque composition
ⓘ
keyboard suite ⓘ work by George Frideric Handel ⓘ |
| associatedComposer | Johannes Brahms NERFINISHED ⓘ |
| associatedGenre | classical music repertoire ⓘ |
| associatedPlace | London NERFINISHED ⓘ |
| associatedWithForm | theme and variations ⓘ |
| catalogNumber | HWV 434 NERFINISHED ⓘ |
| composer | George Frideric Handel NERFINISHED ⓘ |
| countryOfOrigin | Great Britain NERFINISHED ⓘ |
| era | early 18th century ⓘ |
| finalMovement | Aria con variazioni ⓘ |
| genre | keyboard suite ⓘ |
| hasCatalogue | Händel-Werke-Verzeichnis NERFINISHED ⓘ |
| hasKey | B-flat major ⓘ |
| hasKeySignature | two flats ⓘ |
| hasMovementOrder | final movement is a set of variations ⓘ |
| hasPart | theme later used by Johannes Brahms ⓘ |
| hasPopularityReason | connection to Brahms’s Op. 24 ⓘ |
| hasThematicMaterial | Baroque-style aria used as variation theme ⓘ |
| hasTheme | melodic theme later used by Brahms for variations ⓘ |
| influencedWork | Variations and Fugue on a Theme by Handel, Op. 24 NERFINISHED ⓘ |
| instrumentation |
harpsichord
ⓘ
solo keyboard ⓘ |
| key | B-flat major ⓘ |
| languageOfTitle | Italian ⓘ |
| movement | Aria con variazioni ⓘ |
| notableFor | final movement’s theme used by Brahms ⓘ |
| opusRelationship | theme basis for Brahms’s Op. 24 ⓘ |
| partOf | Handel’s keyboard works NERFINISHED ⓘ |
| performancePractice |
historically performed on harpsichord
ⓘ
often performed on modern piano ⓘ |
| period | Baroque ⓘ |
| style | Baroque keyboard style ⓘ |
| titleLanguageDetail | movement title "Aria con variazioni" is in Italian NERFINISHED ⓘ |
| tonality | major ⓘ |
| usedAsThemeIn | Variations and Fugue on a Theme by Handel, Op. 24 NERFINISHED ⓘ |
| workTitle | Suite in B-flat major NERFINISHED ⓘ |
How these facts were elicited
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You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Suite in B-flat major, HWV 434, by George Frideric Handel Description of subject: The Suite in B-flat major, HWV 434, by George Frideric Handel is a Baroque keyboard suite whose final movement’s theme later became famous as the basis for Brahms’s “Variations and Fugue on a Theme by Handel.”
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.