Johannes Brahms: Variations and Fugue on a Theme by Handel, Op. 24
E201679
Johannes Brahms: Variations and Fugue on a Theme by Handel, Op. 24 is a monumental set of piano variations and a concluding fugue, composed in 1861 on a theme by George Frideric Handel and regarded as one of Brahms’s greatest works for solo piano.
All labels observed (2)
| Label | Occurrences |
|---|---|
| Handel Variations, Op. 24 | 1 |
| Johannes Brahms: Variations and Fugue on a Theme by Handel, Op. 24 canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T1773149 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Johannes Brahms: Variations and Fugue on a Theme by Handel, Op. 24 Context triple: [Clara Schumann, dedicateeOf, Johannes Brahms: Variations and Fugue on a Theme by Handel, Op. 24]
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A.
Johannes Brahms: Variations on a Theme by Schumann, Op. 9
"Johannes Brahms: Variations on a Theme by Schumann, Op. 9" is a set of piano variations composed in 1854 that pays intimate musical homage to Robert Schumann while reflecting Brahms’s deep personal and artistic connection to the Schumann circle.
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B.
Brahms Ein deutsches Requiem
Brahms' *Ein deutsches Requiem* is a large-scale, non-liturgical sacred work for chorus, orchestra, and soloists that meditates on human mortality and consolation using German biblical texts.
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C.
Robert Schumann: Kreisleriana, Op. 16
Robert Schumann: Kreisleriana, Op. 16 is a highly expressive and technically demanding piano cycle from the Romantic era, inspired by E.T.A. Hoffmann’s fictional character Johannes Kreisler and noted for its rapid mood shifts and psychological depth.
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D.
Goldberg Variations
The Goldberg Variations is a monumental keyboard composition by Johann Sebastian Bach, renowned for its intricate set of variations on an aria and its central place in the classical piano and harpsichord repertoire.
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E.
Mendelssohn Lobgesang
Mendelssohn's "Lobgesang" (Hymn of Praise), often classified as his Symphony No. 2, is a large-scale choral-symphonic work that combines orchestral movements with vocal solos and chorus to set biblical texts in a celebratory, sacred context.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Johannes Brahms: Variations and Fugue on a Theme by Handel, Op. 24 Target entity description: Johannes Brahms: Variations and Fugue on a Theme by Handel, Op. 24 is a monumental set of piano variations and a concluding fugue, composed in 1861 on a theme by George Frideric Handel and regarded as one of Brahms’s greatest works for solo piano.
-
A.
Johannes Brahms: Variations on a Theme by Schumann, Op. 9
"Johannes Brahms: Variations on a Theme by Schumann, Op. 9" is a set of piano variations composed in 1854 that pays intimate musical homage to Robert Schumann while reflecting Brahms’s deep personal and artistic connection to the Schumann circle.
-
B.
Brahms Ein deutsches Requiem
Brahms' *Ein deutsches Requiem* is a large-scale, non-liturgical sacred work for chorus, orchestra, and soloists that meditates on human mortality and consolation using German biblical texts.
-
C.
Robert Schumann: Kreisleriana, Op. 16
Robert Schumann: Kreisleriana, Op. 16 is a highly expressive and technically demanding piano cycle from the Romantic era, inspired by E.T.A. Hoffmann’s fictional character Johannes Kreisler and noted for its rapid mood shifts and psychological depth.
-
D.
Goldberg Variations
The Goldberg Variations is a monumental keyboard composition by Johann Sebastian Bach, renowned for its intricate set of variations on an aria and its central place in the classical piano and harpsichord repertoire.
-
E.
Mendelssohn Lobgesang
Mendelssohn's "Lobgesang" (Hymn of Praise), often classified as his Symphony No. 2, is a large-scale choral-symphonic work that combines orchestral movements with vocal solos and chorus to set biblical texts in a celebratory, sacred context.
- F. None of above. chosen
Statements (49)
| Predicate | Object |
|---|---|
| instanceOf |
fugue
ⓘ
piano composition ⓘ set of variations ⓘ |
| basedOn | theme by George Frideric Handel ⓘ |
| basedOnMovement | Aria from Handel’s Suite in B-flat major, HWV 434 ⓘ |
| basedOnWork | Suite in B-flat major, HWV 434, by George Frideric Handel ⓘ |
| catalogueNumber | Op. 24 ⓘ |
| composer | Johannes Brahms ⓘ |
| composerNationality | German ⓘ |
| criticalReputation |
considered one of Brahms’s greatest works for solo piano
ⓘ
regarded as a pinnacle of Romantic variation writing ⓘ |
| dateComposed | 1861 ⓘ |
| dedicatedTo | Julie Schumann ⓘ |
| difficulty | advanced ⓘ |
| eraOfComposer | late Romantic ⓘ |
| firstPublicationYear | 1862 ⓘ |
| genre |
keyboard fugue
ⓘ
romantic piano music ⓘ theme and variations ⓘ |
| hasPart |
25 variations
ⓘ
final fugue ⓘ theme ⓘ |
| influencedBy |
Baroque variation techniques
ⓘ
George Frideric Handel ⓘ Johann Sebastian Bach ⓘ |
| instrumentation | solo piano ⓘ |
| key | B-flat major ⓘ |
| languageOfTitle | German ⓘ |
| movementStructure | continuous sequence of variations followed by fugue ⓘ |
| notableFeature |
integration of Baroque forms with Romantic harmony
ⓘ
large-scale architectural design ⓘ use of diverse pianistic textures ⓘ |
| numberOfVariations | 25 ⓘ |
| opusNumber | Op. 24 ⓘ |
| originalTitle | Variationen und Fuge über ein Thema von Händel ⓘ |
| period | Romantic era ⓘ |
| placeComposed | Hamburg region (approximate) ⓘ |
| publisher | Rieter-Biedermann ⓘ |
| relatedWorkBySameComposer |
Haydn Variations, Op. 56b
ⓘ
Paganini Variations, Op. 35 ⓘ Variations on a Theme by Schumann ⓘ
surface form:
Variations on a Theme by Schumann, Op. 9
|
| style |
contrapuntal
ⓘ
orchestral piano writing ⓘ virtuosic ⓘ |
| typicalDuration | approximately 25 minutes ⓘ |
| usesForm | passacaglia-like variation techniques ⓘ |
| usesTechnique |
canon and inversion in fugue
ⓘ
orchestral sonorities on piano ⓘ |
| workNumberInComposerOutput | early major piano work ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
Instruction
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Input
Subject: Johannes Brahms: Variations and Fugue on a Theme by Handel, Op. 24 Description of subject: Johannes Brahms: Variations and Fugue on a Theme by Handel, Op. 24 is a monumental set of piano variations and a concluding fugue, composed in 1861 on a theme by George Frideric Handel and regarded as one of Brahms’s greatest works for solo piano.
Referenced by (2)
Full triples — surface form annotated when it differs from this entity's canonical label.
Clara Schumann (as dedicatee and performer)
→
dedicateeOf
→
Johannes Brahms: Variations and Fugue on a Theme by Handel, Op. 24
ⓘ
subject surface form:
Clara Schumann
Johannes Brahms
→
notableWork
→
Johannes Brahms: Variations and Fugue on a Theme by Handel, Op. 24
ⓘ
this entity surface form:
Handel Variations, Op. 24