The Age of the World Picture
E707148
The Age of the World Picture is a philosophical essay by Martin Heidegger that analyzes how, in modernity, the world comes to be understood and dominated as a representable “picture” for human subjects.
All labels observed (1)
| Label | Occurrences |
|---|---|
| The Age of the World Picture canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T8058033 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: The Age of the World Picture Context triple: [The Question Concerning Technology, relatedWork, The Age of the World Picture]
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A.
Caput Mundi
Caput Mundi is a Latin epithet meaning "capital of the world," historically used to emphasize Rome’s central importance in politics, culture, and civilization.
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B.
The World Unseen
The World Unseen is a 2007 period drama film set in 1950s apartheid-era South Africa that explores forbidden love and social oppression within the Indian South African community.
-
C.
A World Between
A World Between is a science fiction novel by Norman Spinrad that explores political manipulation and media control on a distant, idealistic colony world.
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D.
The Edges of the World
The Edges of the World is a large-scale, immersive installation by Brazilian artist Ernesto Neto that invites viewers to walk through a sensorial environment of organic forms, textiles, and spices.
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E.
Die Weltalter
Die Weltalter is an unfinished philosophical work by Friedrich Wilhelm Joseph Schelling in which he develops a speculative history of the cosmos and the stages of divine and worldly existence.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: The Age of the World Picture Target entity description: The Age of the World Picture is a philosophical essay by Martin Heidegger that analyzes how, in modernity, the world comes to be understood and dominated as a representable “picture” for human subjects.
-
A.
Caput Mundi
Caput Mundi is a Latin epithet meaning "capital of the world," historically used to emphasize Rome’s central importance in politics, culture, and civilization.
-
B.
The World Unseen
The World Unseen is a 2007 period drama film set in 1950s apartheid-era South Africa that explores forbidden love and social oppression within the Indian South African community.
-
C.
A World Between
A World Between is a science fiction novel by Norman Spinrad that explores political manipulation and media control on a distant, idealistic colony world.
-
D.
The Edges of the World
The Edges of the World is a large-scale, immersive installation by Brazilian artist Ernesto Neto that invites viewers to walk through a sensorial environment of organic forms, textiles, and spices.
-
E.
Die Weltalter
Die Weltalter is an unfinished philosophical work by Friedrich Wilhelm Joseph Schelling in which he develops a speculative history of the cosmos and the stages of divine and worldly existence.
- F. None of above. chosen
Statements (48)
| Predicate | Object |
|---|---|
| instanceOf |
philosophical essay
ⓘ
work by Martin Heidegger ⓘ |
| arguesThat |
in modernity the world is grasped primarily as a representable picture for a human subject
ⓘ
modern science presupposes the world as a set of objects for calculation and control ⓘ the dominance of representation transforms the way beings appear ⓘ the essence of modernity is not technological devices but a specific understanding of being ⓘ |
| author | Martin Heidegger NERFINISHED ⓘ |
| centralConcept |
calculative thinking
ⓘ
domination of beings ⓘ modern subjectivity ⓘ objectification of the world ⓘ scientific representation ⓘ setting-upon of beings ⓘ world as picture ⓘ |
| countryOfOrigin | Germany ⓘ |
| criticizes |
Cartesian subject–object metaphysics
ⓘ
modern scientific worldview ⓘ reduction of being to representation ⓘ |
| discipline | philosophy ⓘ |
| influencedField |
art theory
ⓘ
critical theory ⓘ hermeneutics ⓘ media theory ⓘ philosophy of technology ⓘ |
| mainTopic |
enframing
ⓘ
history of being ⓘ metaphysics ⓘ modernity ⓘ representation ⓘ subject–object relation ⓘ technology ⓘ world picture ⓘ |
| originalLanguage | German ⓘ |
| originalTitle | Die Zeit des Weltbildes NERFINISHED ⓘ |
| philosophicalMovement |
existentialism
ⓘ
phenomenology ⓘ |
| philosophicalQuestion |
how representation structures human relation to beings
ⓘ
how the world becomes a picture in modernity ⓘ what characterizes the essence of modernity ⓘ |
| philosophicalSchool | Heideggerian philosophy ⓘ |
| philosophicalTradition | continental philosophy NERFINISHED ⓘ |
| relatedWork |
Being and Time
NERFINISHED
ⓘ
The Origin of the Work of Art NERFINISHED ⓘ The Question Concerning Technology NERFINISHED ⓘ |
| subdiscipline |
ontology
ⓘ
philosophy of history ⓘ |
| timePeriodDiscussed | modern age ⓘ |
| viewsModernityAs | epoch of the world as picture ⓘ |
How these facts were elicited
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You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: The Age of the World Picture Description of subject: The Age of the World Picture is a philosophical essay by Martin Heidegger that analyzes how, in modernity, the world comes to be understood and dominated as a representable “picture” for human subjects.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.