L’Homme approximatif

E706787

L’Homme approximatif is a major surrealist poem by Tristan Tzara that exemplifies his experimental, avant-garde approach to language and form.

All labels observed (1)

Label Occurrences
L’Homme approximatif canonical 2

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Statements (48)

Predicate Object
instanceOf poem
surrealist poem
associatedWith European avant-garde
French Surrealism
linked to: Surrealism
author Tristan Tzara
countryOfOrigin France
creator Tristan Tzara
form experimental poetic form
genre Surrealism
hasAuthor Tristan Tzara
hasPart multiple sections
influencedBy Dada movement
linked to: Dada

Surrealist poetics
language French
literaryForm long poem
literaryMovement Dada
literaryPeriod 20th-century literature
literarySignificance important text in Surrealist poetry
major work in Tristan Tzara’s oeuvre
literaryTradition modernist poetry
medium printed text
movement Surrealism
narrativeMode first-person elements
narrativeVoice lyric voice
notableFor avant-garde poetic form
experimental use of language
imagistic and associative structure
stream-of-consciousness style
originalTitle L’Homme approximatif
rhetoricalDevice alliteration
metaphor
symbolism
style associative imagery
discontinuous syntax
free verse
nonlinear structure
repetition and variation
subjectMatter approximation and uncertainty
human condition
theme fragmentation of the self
identity
language and meaning
perception of reality
titleTranslation The Approximate Man
usesTechnique automatic writing
juxtaposition of images
semantic disruption
sound-based associations

How these facts were elicited

Referenced by (2)

Full triples — surface form annotated when it differs from this entity's canonical label.

Tristan Tzara notableWork L’Homme approximatif
L’Homme approximatif originalTitle L’Homme approximatif