Composition X (final work in Kandinsky’s Composition series)
E605275
Composition X is Wassily Kandinsky’s last and one of his most abstract large-scale paintings in the influential “Composition” series, exemplifying his mature non-objective style.
All labels observed (3)
| Label | Occurrences |
|---|---|
| Compositions (series by Wassily Kandinsky) | 4 |
| Composition X (final work in Kandinsky’s Composition series) canonical | 1 |
| Kandinsky’s Compositions | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T6581872 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Composition X (final work in Kandinsky’s Composition series) Context triple: [Composition X, catalogueRaisonnéNumber, Composition X (final work in Kandinsky’s Composition series)]
-
A.
Suprematist Composition
Suprematist Composition is an abstract geometric painting by Kazimir Malevich that exemplifies the radical non-objective style of the Suprematism movement.
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B.
Der Blaue Reiter
Der Blaue Reiter was an early 20th-century German Expressionist art movement and group of artists, including figures like Wassily Kandinsky and Franz Marc, known for its spiritual, abstract, and emotionally charged works.
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C.
Black Square
Black Square is a groundbreaking abstract painting by Kazimir Malevich that became an icon of the Suprematist movement and a symbol of radical artistic minimalism in the early 20th century.
-
D.
Imaginary Landscape No. 4
Imaginary Landscape No. 4 is an experimental 1951 composition by John Cage for 12 radios and 24 performers that explores chance operations and indeterminacy in music.
-
E.
Imaginary Landscape No. 1
Imaginary Landscape No. 1 is an early experimental composition by John Cage that pioneered the use of electronic sounds and unconventional instruments in modern music.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Composition X (final work in Kandinsky’s Composition series) Target entity description: Composition X is Wassily Kandinsky’s last and one of his most abstract large-scale paintings in the influential “Composition” series, exemplifying his mature non-objective style.
-
A.
Suprematist Composition
Suprematist Composition is an abstract geometric painting by Kazimir Malevich that exemplifies the radical non-objective style of the Suprematism movement.
-
B.
Der Blaue Reiter
Der Blaue Reiter was an early 20th-century German Expressionist art movement and group of artists, including figures like Wassily Kandinsky and Franz Marc, known for its spiritual, abstract, and emotionally charged works.
-
C.
Black Square
Black Square is a groundbreaking abstract painting by Kazimir Malevich that became an icon of the Suprematist movement and a symbol of radical artistic minimalism in the early 20th century.
-
D.
Imaginary Landscape No. 4
Imaginary Landscape No. 4 is an experimental 1951 composition by John Cage for 12 radios and 24 performers that explores chance operations and indeterminacy in music.
-
E.
Imaginary Landscape No. 1
Imaginary Landscape No. 1 is an early experimental composition by John Cage that pioneered the use of electronic sounds and unconventional instruments in modern music.
- F. None of above. chosen
Statements (44)
| Predicate | Object |
|---|---|
| instanceOf |
non-objective art
ⓘ
painting ⓘ |
| artisticStyle |
geometric abstraction
ⓘ
non-objective ⓘ |
| chronology | late work of Wassily Kandinsky ⓘ |
| collection | Kunstmuseum Basel collection ⓘ |
| colorDominance | black background ⓘ |
| colorFeature | brightly colored geometric forms ⓘ |
| conformsTo | theoretical ideas in Kandinsky’s book Concerning the Spiritual in Art ⓘ |
| countryLocatedIn | Switzerland NERFINISHED ⓘ |
| countryOfOrigin | France ⓘ |
| creationLocation | Neuilly-sur-Seine, France NERFINISHED ⓘ |
| creator | Wassily Kandinsky NERFINISHED ⓘ |
| creatorCitizenship | French ⓘ |
| creatorNationality | Russian ⓘ |
| depicts | non-representational forms ⓘ |
| dimensions | approximately 130 cm × 195 cm ⓘ |
| exhibitedAt | Kunstmuseum Basel exhibitions ⓘ |
| genre | abstract art ⓘ |
| hasCreatorRole | painter ⓘ |
| hasWorkType | large-scale painting ⓘ |
| inception | 1939 ⓘ |
| influencedBy |
music
ⓘ
spirituality in art ⓘ |
| languageOfTitle | Italian ⓘ |
| location | Kunstmuseum Basel NERFINISHED ⓘ |
| medium |
oil on canvas
ⓘ
oil paint ⓘ |
| movement |
Abstract art
NERFINISHED
ⓘ
Expressionism ⓘ Non-objective art NERFINISHED ⓘ |
| notableFor |
being Kandinsky’s last Composition
ⓘ
dark ground with floating colored shapes ⓘ high degree of abstraction ⓘ |
| orientation | landscape ⓘ |
| partOfSeries | Composition (series) NERFINISHED ⓘ |
| positionInSeries | final work in Kandinsky’s Composition series ⓘ |
| relatedWork |
Composition IX
NERFINISHED
ⓘ
Composition VII NERFINISHED ⓘ Composition VIII NERFINISHED ⓘ |
| seriesNumber | 10 ⓘ |
| stylePeriod | mature style of Wassily Kandinsky ⓘ |
| support | canvas ⓘ |
| titleMeaning | Composition Ten NERFINISHED ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Composition X (final work in Kandinsky’s Composition series) Description of subject: Composition X is Wassily Kandinsky’s last and one of his most abstract large-scale paintings in the influential “Composition” series, exemplifying his mature non-objective style.
Referenced by (6)
Full triples — surface form annotated when it differs from this entity's canonical label.