Hymn Ut queant laxis
E541131
"Ut queant laxis" is a medieval Latin hymn whose successive phrases provided the syllables that Guido of Arezzo adapted into the original solfège system (ut–re–mi–fa–sol–la).
All labels observed (1)
| Label | Occurrences |
|---|---|
| Hymn Ut queant laxis canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T5733981 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Hymn Ut queant laxis Context triple: [Guido of Arezzo, usedMelodySourceForSolfège, Hymn Ut queant laxis]
-
A.
Hymnus Paradisi
Hymnus Paradisi is a large-scale choral-orchestral work by English composer Herbert Howells, renowned for its deeply expressive, elegiac character and rich, modal harmonies.
-
B.
Sursum Corda
Sursum Corda is a Latin phrase meaning "Lift up your hearts," commonly used as a Christian liturgical exhortation and as an inspirational motto.
-
C.
Ave Regina Caelorum
Ave Regina Caelorum is a traditional Catholic Marian antiphon sung in honor of the Virgin Mary, particularly associated with the liturgical period following the Feast of the Presentation.
-
D.
Trisagion Hymn
The Trisagion Hymn is an ancient and central Christian liturgical chant that repeatedly acclaims God as “Holy God, Holy Mighty, Holy Immortal,” used especially in Eastern Orthodox and Eastern Catholic worship.
-
E.
Te Deum
Te Deum is a traditional Christian hymn of praise and thanksgiving, historically used in liturgical celebrations and special religious or civic ceremonies.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Hymn Ut queant laxis Target entity description: "Ut queant laxis" is a medieval Latin hymn whose successive phrases provided the syllables that Guido of Arezzo adapted into the original solfège system (ut–re–mi–fa–sol–la).
-
A.
Hymnus Paradisi
Hymnus Paradisi is a large-scale choral-orchestral work by English composer Herbert Howells, renowned for its deeply expressive, elegiac character and rich, modal harmonies.
-
B.
Sursum Corda
Sursum Corda is a Latin phrase meaning "Lift up your hearts," commonly used as a Christian liturgical exhortation and as an inspirational motto.
-
C.
Ave Regina Caelorum
Ave Regina Caelorum is a traditional Catholic Marian antiphon sung in honor of the Virgin Mary, particularly associated with the liturgical period following the Feast of the Presentation.
-
D.
Trisagion Hymn
The Trisagion Hymn is an ancient and central Christian liturgical chant that repeatedly acclaims God as “Holy God, Holy Mighty, Holy Immortal,” used especially in Eastern Orthodox and Eastern Catholic worship.
-
E.
Te Deum
Te Deum is a traditional Christian hymn of praise and thanksgiving, historically used in liturgical celebrations and special religious or civic ceremonies.
- F. None of above. chosen
Statements (45)
| Predicate | Object |
|---|---|
| instanceOf |
Latin hymn
ⓘ
liturgical chant ⓘ medieval hymn ⓘ |
| associatedConcept |
Guidonian hand
NERFINISHED
ⓘ
hexachord system ⓘ solfège ⓘ |
| associatedSaint | Saint John the Baptist NERFINISHED ⓘ |
| centuryOfOrigin | 8th century ⓘ |
| dateWritten | 8th century ⓘ |
| function | office hymn for the Nativity of Saint John the Baptist ⓘ |
| genre | hymn ⓘ |
| hasRhymeScheme | classical quantitative meter rather than rhyme ⓘ |
| hasSection |
Antra deserti
ⓘ
Mira gestorum ⓘ Ut queant laxis NERFINISHED ⓘ |
| influenced | Guido of Arezzo NERFINISHED ⓘ |
| inspired | later solfège systems ⓘ |
| language | Latin ⓘ |
| laterDevelopmentFrom | Gregorian hymn tradition ⓘ |
| liturgicalFeast | Nativity of Saint John the Baptist NERFINISHED ⓘ |
| liturgicalUse |
Liturgy of the Hours
NERFINISHED
ⓘ
Vespers NERFINISHED ⓘ |
| metricalForm | Sapphic stanza NERFINISHED ⓘ |
| mode | Gregorian chant mode ⓘ |
| musicalRole | model for hexachordal solmization ⓘ |
| musicalTradition | Gregorian chant NERFINISHED ⓘ |
| notableFor | providing syllables for the original solfège system ⓘ |
| originalSolfègeSyllable |
fa
ⓘ
la ⓘ mi ⓘ re ⓘ sol ⓘ ut ⓘ |
| preservedIn | medieval chant manuscripts ⓘ |
| regionOfOrigin | Western Europe NERFINISHED ⓘ |
| relatedWork | Roman Catholic hymnody ⓘ |
| religiousTradition | Christianity ⓘ |
| subject | praise of Saint John the Baptist ⓘ |
| syllabicStructure | each phrase begins on a successive scale degree ⓘ |
| textAuthor |
Paulinus II of Aquileia
NERFINISHED
ⓘ
Paulinus of Aquileia NERFINISHED ⓘ |
| textIncipit | Ut queant laxis resonare fibris ⓘ |
| usedBy | Guido of Arezzo NERFINISHED ⓘ |
| usedFor |
pedagogy of medieval music theory
ⓘ
teaching pitch relationships ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Hymn Ut queant laxis Description of subject: "Ut queant laxis" is a medieval Latin hymn whose successive phrases provided the syllables that Guido of Arezzo adapted into the original solfège system (ut–re–mi–fa–sol–la).
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.