¡Ay, Carmela!

E538487

¡Ay, Carmela! is a Spanish tragicomic film set during the Spanish Civil War, following a troupe of traveling performers who become entangled with both Republican and Nationalist forces.

All labels observed (2)

Label Occurrences
¡Ay, Carmela! canonical 3
¡Ay, Carmela! (play) 1

How this entity was disambiguated

Statements (47)

Predicate Object
instanceOf film
tragicomedy film
awardReceived Goya Award for Best Actor
Goya Award for Best Actress
Goya Award for Best Adapted Screenplay
Goya Award for Best Art Direction
Goya Award for Best Cinematography
Goya Award for Best Costume Design
Goya Award for Best Director
Goya Award for Best Editing
Goya Award for Best Film
Goya Award for Best Makeup and Hairstyles
Goya Award for Best Original Score
Goya Award for Best Sound
Goya Award for Best Supporting Actor
basedOn ¡Ay, Carmela! (play)
linked to: ¡Ay, Carmela!
cinematographyBy José Luis Alcaine
composer Alejandro Massó
countryOfOrigin Spain
director Carlos Saura
editedBy Pablo G. del Amo
follows traveling performers
genre drama film
tragicomedy
war film
hasTitle ¡Ay, Carmela!
mainCharacter Carmela
Gustavete
Paulino
narrativeFocus troupe of traveling performers caught between Republican and Nationalist forces
notableFor portrayal of Republican and Nationalist forces during the Spanish Civil War
originalLanguage Spanish
productionCompany Aiete Films
Iberoamericana Films Producción
TVE
releaseYear 1990
runtimeMinutes 102
screenwriter Carlos Saura
José Sanchis Sinisterra
Rafael Azcona
setInPeriod Spanish Civil War
stars Andrés Pajares
Carmen Maura
Gabino Diego
theme anti-war
political repression
role of artists in wartime

How these facts were elicited

Referenced by (4)

Full triples — surface form annotated when it differs from this entity's canonical label.

Carlos Saura notableWork ¡Ay, Carmela!
¡Ay, Carmela! (film) basedOn ¡Ay, Carmela! (play)
subject linked to: ¡Ay, Carmela!
linked to: ¡Ay, Carmela!
¡Ay, Carmela! (film) hasTitle ¡Ay, Carmela!
subject linked to: ¡Ay, Carmela!
Eulalia Ramón notableWork ¡Ay, Carmela!