Laborintus II
E528576
Laborintus II is an experimental 1965 composition by Luciano Berio that blends voices, instruments, and electronics in a collage-like setting of texts by Dante and Edoardo Sanguineti.
All labels observed (3)
| Label | Occurrences |
|---|---|
| Laborintus II canonical | 2 |
| Laborintus (earlier work by Sanguineti) | 1 |
| “Laborintus” alludes to labyrinth and labor | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T5524248 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Laborintus II Context triple: [Luciano Berio, notableWork, Laborintus II]
-
A.
Laberintos
Laberintos is a collection of short stories by Jorge Luis Borges that explores themes of infinity, mirrors, and labyrinthine realities through intricate, metaphysical narratives.
-
B.
the Maze
The Maze was the informal name for Long Kesh prison in Northern Ireland, a high-security facility central to the Troubles and known for housing paramilitary prisoners and hunger strikers.
-
C.
Sala dei Passi Perduti
Sala dei Passi Perduti is a historic and symbolic hall within Italy’s Chamber of Deputies, often used as a central passageway and gathering space for politicians and journalists.
-
D.
labyrinth of the Minotaur
The labyrinth of the Minotaur is the legendary maze in Greek mythology where the half-man, half-bull creature was imprisoned and ultimately slain by the hero Theseus.
-
E.
The Maze
The Maze is a remote, rugged, and labyrinthine backcountry district of Canyonlands National Park in Utah, known for its challenging access, intricate canyons, and solitude.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Laborintus II Target entity description: Laborintus II is an experimental 1965 composition by Luciano Berio that blends voices, instruments, and electronics in a collage-like setting of texts by Dante and Edoardo Sanguineti.
-
A.
Laberintos
Laberintos is a collection of short stories by Jorge Luis Borges that explores themes of infinity, mirrors, and labyrinthine realities through intricate, metaphysical narratives.
-
B.
the Maze
The Maze was the informal name for Long Kesh prison in Northern Ireland, a high-security facility central to the Troubles and known for housing paramilitary prisoners and hunger strikers.
-
C.
Sala dei Passi Perduti
Sala dei Passi Perduti is a historic and symbolic hall within Italy’s Chamber of Deputies, often used as a central passageway and gathering space for politicians and journalists.
-
D.
labyrinth of the Minotaur
The labyrinth of the Minotaur is the legendary maze in Greek mythology where the half-man, half-bull creature was imprisoned and ultimately slain by the hero Theseus.
-
E.
The Maze
The Maze is a remote, rugged, and labyrinthine backcountry district of Canyonlands National Park in Utah, known for its challenging access, intricate canyons, and solitude.
- F. None of above. chosen
Statements (47)
| Predicate | Object |
|---|---|
| instanceOf |
experimental music work
ⓘ
musical composition ⓘ |
| basedOnWorkBy | Dante Alighieri ⓘ |
| commissionedBy | Office de Radiodiffusion-Télévision Française ⓘ |
| commissionedFor | 700th anniversary of Dante Alighieri’s birth ⓘ |
| composer | Luciano Berio ⓘ |
| countryOfOrigin | Italy ⓘ |
| decadeOfComposition | 1960s ⓘ |
| firstPerformanceDate | 1965 ⓘ |
| firstPerformancePlace | France ⓘ |
| hasCatalogueNumber | Berio catalog (no standard opus number) ⓘ |
| hasGenre |
avant-garde music
ⓘ
contemporary classical music ⓘ experimental music ⓘ |
| hasTheme |
Dantean imagery
ⓘ
death ⓘ history ⓘ memory ⓘ |
| hasTitleLanguage | Latin ⓘ |
| includes |
chorus
ⓘ
instrumental ensemble ⓘ speaker ⓘ |
| influencedBy |
Dante Alighieri’s Divina Commedia
ⓘ
linked to:
Dante Alighieri's Divine Comedy
Edoardo Sanguineti’s experimental poetry ⓘ |
| language | Italian ⓘ |
| librettist | Edoardo Sanguineti ⓘ |
| movement | postwar avant-garde ⓘ |
| notableRecording | 1968 recording conducted by Luciano Berio ⓘ |
| partOf | Luciano Berio’s vocal and theatrical works ⓘ |
| performancePractice |
requires amplification
ⓘ
requires sound projection ⓘ |
| publisher | Universal Edition ⓘ |
| relatedWork |
Laborintus (earlier work by Sanguineti)
ⓘ
linked to:
Laborintus II
|
| scoredFor |
electronics
ⓘ
instruments ⓘ voices ⓘ |
| structureCharacteristic | collage-like form ⓘ |
| styleCharacteristic |
integration of live and electronic sound
ⓘ
montage of literary and musical materials ⓘ use of spoken and sung text ⓘ |
| titleMeaning |
“Laborintus” alludes to labyrinth and labor
ⓘ
linked to:
Laborintus II
|
| usesTechnique |
extended vocal techniques
ⓘ
serial and post-serial techniques ⓘ textual collage ⓘ |
| usesTextBy |
Dante Alighieri
ⓘ
Edoardo Sanguineti ⓘ |
| yearOfComposition | 1965 ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Laborintus II Description of subject: Laborintus II is an experimental 1965 composition by Luciano Berio that blends voices, instruments, and electronics in a collage-like setting of texts by Dante and Edoardo Sanguineti.
Referenced by (4)
Full triples — surface form annotated when it differs from this entity's canonical label.