The Wild Dove, Op. 110
E512819
The Wild Dove, Op. 110 is a symphonic poem by Antonín Dvořák that vividly depicts a dark folk tale of guilt and retribution through richly expressive orchestral writing.
All labels observed (1)
| Label | Occurrences |
|---|---|
| The Wild Dove, Op. 110 canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T5327859 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: The Wild Dove, Op. 110 Context triple: [Antonín Dvořák, notableWork, The Wild Dove, Op. 110]
-
A.
The Bells, Op. 35
The Bells, Op. 35 is a choral symphony by Sergei Rachmaninoff that sets Edgar Allan Poe’s poem “The Bells” (in Russian translation) to music, blending lush orchestration with evocative bell-like sonorities.
-
B.
Kreisleriana, Op. 16
Kreisleriana, Op. 16 is a highly expressive and structurally innovative piano cycle by Robert Schumann, inspired by E.T.A. Hoffmann’s literary character Johannes Kreisler and regarded as one of the composer’s greatest keyboard works.
-
C.
Soirées musicales, Op. 6
Soirées musicales, Op. 6 is a set of character pieces for piano by Clara Schumann that showcases her early Romantic style and pianistic virtuosity.
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D.
Intermezzi, Op. 117
Intermezzi, Op. 117 is a set of three introspective piano pieces by Johannes Brahms, often regarded as some of his most poetic and autumnal late works.
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E.
Hermit Songs, Op. 29
Hermit Songs, Op. 29 is a song cycle by American composer Samuel Barber, setting anonymous medieval Irish texts for voice and piano.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: The Wild Dove, Op. 110 Target entity description: The Wild Dove, Op. 110 is a symphonic poem by Antonín Dvořák that vividly depicts a dark folk tale of guilt and retribution through richly expressive orchestral writing.
-
A.
The Bells, Op. 35
The Bells, Op. 35 is a choral symphony by Sergei Rachmaninoff that sets Edgar Allan Poe’s poem “The Bells” (in Russian translation) to music, blending lush orchestration with evocative bell-like sonorities.
-
B.
Kreisleriana, Op. 16
Kreisleriana, Op. 16 is a highly expressive and structurally innovative piano cycle by Robert Schumann, inspired by E.T.A. Hoffmann’s literary character Johannes Kreisler and regarded as one of the composer’s greatest keyboard works.
-
C.
Soirées musicales, Op. 6
Soirées musicales, Op. 6 is a set of character pieces for piano by Clara Schumann that showcases her early Romantic style and pianistic virtuosity.
-
D.
Intermezzi, Op. 117
Intermezzi, Op. 117 is a set of three introspective piano pieces by Johannes Brahms, often regarded as some of his most poetic and autumnal late works.
-
E.
Hermit Songs, Op. 29
Hermit Songs, Op. 29 is a song cycle by American composer Samuel Barber, setting anonymous medieval Irish texts for voice and piano.
- F. None of above. chosen
Statements (43)
| Predicate | Object |
|---|---|
| instanceOf | symphonic poem ⓘ |
| approximateDuration | about 13–15 minutes ⓘ |
| basedOn | ballad by Karel Jaromír Erben ⓘ |
| basedOnAuthor | Karel Jaromír Erben NERFINISHED ⓘ |
| belongsTo | Western classical music repertoire ⓘ |
| catalogNumber | Op. 110 ⓘ |
| composer | Antonín Dvořák NERFINISHED ⓘ |
| composerNationality | Czech ⓘ |
| compositionPeriod | late Romantic ⓘ |
| countryOfOrigin | Bohemia NERFINISHED ⓘ |
| depicts | folk tale of guilt and retribution ⓘ |
| era | 19th century ⓘ |
| followedBy |
The Golden Spinning Wheel, Op. 109
NERFINISHED
ⓘ
The Noon Witch, Op. 108 NERFINISHED ⓘ |
| genre | program music ⓘ |
| hasForm | free symphonic form ⓘ |
| hasOpusNumber | 110 ⓘ |
| hasSubject | wild dove as symbolic figure ⓘ |
| influencedBy |
Czech folk tradition
ⓘ
Romantic literary ballads ⓘ |
| key | E minor ⓘ |
| languageOfTitle | English ⓘ |
| movementStructure | single-movement ⓘ |
| notableFor | vivid narrative depiction without words ⓘ |
| orchestration | full symphony orchestra ⓘ |
| originalTitle | Holoubek NERFINISHED ⓘ |
| originalTitleLanguage | Czech ⓘ |
| partOf | Dvořák’s cycle of Erben-based symphonic poems ⓘ |
| precededBy | The Water Goblin, Op. 107 NERFINISHED ⓘ |
| premiereConductor | Antonín Dvořák NERFINISHED ⓘ |
| premiereCountry | Czech lands (then Austria-Hungary) NERFINISHED ⓘ |
| premiereLocation | Prague NERFINISHED ⓘ |
| publicationMedium | orchestral score ⓘ |
| style | late Dvořák symphonic style ⓘ |
| theme |
moral consequences of crime
ⓘ
psychological drama ⓘ |
| tonalCenter | E minor ⓘ |
| typicalEnsemble | symphony orchestra ⓘ |
| uses |
leitmotivic development
ⓘ
rich orchestral color ⓘ |
| workNumberInSeries | fourth of Dvořák’s late symphonic poems ⓘ |
| workTitle |
Holoubek, Op. 110
NERFINISHED
ⓘ
The Wild Dove NERFINISHED ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
Instruction
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Input
Subject: The Wild Dove, Op. 110 Description of subject: The Wild Dove, Op. 110 is a symphonic poem by Antonín Dvořák that vividly depicts a dark folk tale of guilt and retribution through richly expressive orchestral writing.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.