La Critique de l’École des femmes

E499653

La Critique de l’École des femmes is a one-act comedy by Molière that satirically defends his earlier play L’École des femmes against its contemporary critics.

All labels observed (1)

Label Occurrences
La Critique de l’École des femmes canonical 3

How this entity was disambiguated

Statements (45)

Predicate Object
instanceOf French play
one-act comedy
play
theatrical work
author Molière
character Climène
Dorante
Galopin
Lysidas
Uranie
countryOfOrigin France
defendsWorkBySameAuthor L’École des femmes
dramaticForm comedy of manners
dramaticTechnique metatheatre
play-within-a-play elements
firstPerformanceDate 1663
firstPerformedBy Molière’s troupe
form prose
genre comedy
satire
hasAuthorRealName Jean-Baptiste Poquelin
linked to: Molière
hasInfluenced later metatheatrical comedies
historicalContext quarrel over L’École des femmes
intendedAudience Parisian court and public
language French
literaryDevice dialogue as criticism
literaryTradition French classical comedy
medium stage play
movement Classical French theatre
linked to: French classicism
originalNetworkOrVenue Palais-Royal Theatre
originalTitle La Critique de l’École des femmes
parodiesOrSatirizes critics of L’École des femmes
period 17th-century French theatre
relatedWork L’École des femmes
setting Paris
structure one act
subjectMatter defense of L’École des femmes
literary criticism
theatre polemics
theatreCompany Troupe de Monsieur, frère unique du Roi
linked to: Troupe de Monsieur
theme debate over artistic taste
hypocrisy of moralists
jealousy in criticism
role of the audience
timeOfCreation reign of Louis XIV

How these facts were elicited

Referenced by (3)

Full triples — surface form annotated when it differs from this entity's canonical label.

L’École des femmes followedBy La Critique de l’École des femmes
L’École des femmes hasSequel La Critique de l’École des femmes
La Critique de l’École des femmes originalTitle La Critique de l’École des femmes