Prelude in C-sharp minor, Op. 3 No. 2

E485990

Prelude in C-sharp minor, Op. 3 No. 2 is a famous and dramatic solo piano piece by Sergei Rachmaninoff, renowned for its dark, tolling opening chords and powerful emotional intensity.

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Statements (48)

Predicate Object
instanceOf piano composition
prelude
solo piano piece
alternativeTitle The Bells of Moscow
approximateDuration 4 minutes
catalogue Morceaux de fantaisie, Op. 3 No. 2
composer Sergei Rachmaninoff
compositionYear 1892
countryOfOrigin Russia
dedicatedTo Anton Arensky
difficulty advanced
emotionalCharacter dramatic
intense
tragic
fame brought early international recognition to Rachmaninoff
one of Rachmaninoff's most famous works
firstPublicationYear 1892
genre Romantic piano music
harmonicFeature rich Romantic harmonies
hasRecording numerous commercial recordings by leading pianists
includedIn standard piano repertoire
instrumentation solo piano
key C-sharp minor
languageOfTitle Russian
movementStructure three-part form
notableFeature bell-like sonorities
dark tolling opening chords
dramatic and somber character
powerful dynamic contrasts
virtuosic chordal writing
numberWithinOpus No. 2
opusNumber Op. 3
originalTitle Прелюдия до-диез минор, соч. 3 № 2
partOf Morceaux de fantaisie, Op. 3
performancePractice frequently used as an encore piece
often performed as a standalone concert piece
premiereLocation Moscow
premierePerformer Sergei Rachmaninoff
premiereYear 1892
rhythmicFeature persistent tolling rhythm in opening
rights public domain in many countries
section Agitato middle section
Grave opening section
return of opening material
stylePeriod Late Romantic
technicalDemand control of tone in thick textures
large chords and wide stretches
tempoMarking Grave

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Referenced by (2)

Full triples — surface form annotated when it differs from this entity's canonical label.

Sergei Rachmaninoff notableWork Prelude in C-sharp minor, Op. 3 No. 2
Prelude in C-sharp minor, Op. 3 No. 2 originalTitle Прелюдия до-диез минор, соч. 3 № 2
linked to: Prelude in C-sharp minor, Op. 3 No. 2