The Verbal Icon
E483271
The Verbal Icon is a foundational work of literary theory by W.K. Wimsatt that articulates core principles of New Criticism, emphasizing close reading and the autonomy of the literary text.
All labels observed (1)
| Label | Occurrences |
|---|---|
| The Verbal Icon canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T4952134 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: The Verbal Icon Context triple: [New Criticism, keyText, The Verbal Icon]
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A.
Goodbye to Language
Goodbye to Language is a 2014 experimental 3D film by French New Wave director Jean-Luc Godard that explores fractured communication, perception, and the limits of cinema through a fragmented, essay-like narrative.
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B.
Voices
"Voices" is a 1979 romantic drama film starring Amy Irving and Michael Ontkean that centers on the relationship between a deaf woman and an aspiring singer.
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C.
Voices
Voices is a sculptural artwork by Spanish artist Jaume Plensa, known for his large-scale, contemplative installations that explore the human figure, language, and spirituality.
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D.
Voices
Voices is The Independent’s opinion and commentary section featuring columns, analysis, and personal perspectives on current affairs.
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E.
The Words
The Words is Jean-Paul Sartre’s autobiographical work in which he reflects on his childhood and the development of his literary and philosophical identity.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: The Verbal Icon Target entity description: The Verbal Icon is a foundational work of literary theory by W.K. Wimsatt that articulates core principles of New Criticism, emphasizing close reading and the autonomy of the literary text.
-
A.
Goodbye to Language
Goodbye to Language is a 2014 experimental 3D film by French New Wave director Jean-Luc Godard that explores fractured communication, perception, and the limits of cinema through a fragmented, essay-like narrative.
-
B.
Voices
"Voices" is a 1979 romantic drama film starring Amy Irving and Michael Ontkean that centers on the relationship between a deaf woman and an aspiring singer.
-
C.
Voices
Voices is a sculptural artwork by Spanish artist Jaume Plensa, known for his large-scale, contemplative installations that explore the human figure, language, and spirituality.
-
D.
Voices
Voices is The Independent’s opinion and commentary section featuring columns, analysis, and personal perspectives on current affairs.
-
E.
The Words
The Words is Jean-Paul Sartre’s autobiographical work in which he reflects on his childhood and the development of his literary and philosophical identity.
- F. None of above. chosen
Statements (40)
| Predicate | Object |
|---|---|
| instanceOf |
book
ⓘ
work of literary theory ⓘ |
| advocates | objective criticism ⓘ |
| associatedWith |
affective fallacy
ⓘ
intentional fallacy ⓘ |
| author |
W. K. Wimsatt
NERFINISHED
ⓘ
William K. Wimsatt Jr. NERFINISHED ⓘ |
| centralTo | canon of New Critical texts ⓘ |
| concerns |
methods of literary interpretation
ⓘ
standards of critical evaluation ⓘ |
| countryOfOrigin |
United States of America
ⓘ
surface form:
United States
|
| critiques |
biographical criticism
ⓘ
impressionistic criticism ⓘ |
| deemphasizes |
emotional responses of the reader
ⓘ
historical context in interpretation ⓘ psychological motives of the author ⓘ |
| emphasizes | autonomy of the literary text ⓘ |
| focusesOn | close reading ⓘ |
| form | essay collection ⓘ |
| genre | critical essays ⓘ |
| influenced |
20th-century Anglo-American literary criticism
ⓘ
pedagogy of close reading ⓘ |
| keyConcept |
distinction between text and authorial intention
ⓘ
norms of critical interpretation ⓘ text as self-contained aesthetic object ⓘ verbal icon ⓘ |
| language | English ⓘ |
| literaryMovement | New Criticism NERFINISHED ⓘ |
| opposes |
author-centered approaches
ⓘ
reader-centered approaches ⓘ |
| period | mid-20th century literary theory ⓘ |
| placesEmphasisOn | internal evidence of the text ⓘ |
| recognizedAs |
classic of modern literary theory
ⓘ
foundational work of New Criticism ⓘ |
| subject |
criticism
ⓘ
literary theory ⓘ poetics ⓘ |
| theoreticalApproach |
formalism
ⓘ
textualism ⓘ |
| usedIn | university literature curricula ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: The Verbal Icon Description of subject: The Verbal Icon is a foundational work of literary theory by W.K. Wimsatt that articulates core principles of New Criticism, emphasizing close reading and the autonomy of the literary text.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.