After Walker Evans: 1–22
E462216
After Walker Evans: 1–22 is a conceptual art series by Sherrie Levine consisting of rephotographed images that critically examine authorship, originality, and appropriation in modern art.
All labels observed (1)
| Label | Occurrences |
|---|---|
| After Walker Evans: 1–22 canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T4705555 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: After Walker Evans: 1–22 Context triple: [Sherrie Levine, notableWork, After Walker Evans: 1–22]
-
A.
Walker Evans
Walker Evans was a prominent American photographer renowned for his stark, influential images of everyday life during the Great Depression.
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B.
American Photographs
American Photographs is a landmark 1938 photobook by Walker Evans that powerfully documents American life during the Great Depression and helped define modern documentary photography.
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C.
Let Us Now Praise Famous Men (photographs by Walker Evans)
Let Us Now Praise Famous Men (photographs by Walker Evans) is a landmark collection of documentary images depicting impoverished tenant farmers in the American South during the Great Depression, created to accompany James Agee’s influential text of the same name.
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D.
Eliot Porter photographs
Eliot Porter photographs are a renowned body of color nature and landscape photography celebrated for their pioneering role in fine art color photography and their meticulous, lyrical depictions of the natural world.
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E.
Bruce Woolley and the Camera Club
Bruce Woolley and the Camera Club was a late-1970s new wave band led by songwriter Bruce Woolley, best known for its role in creating and first recording the song "Video Killed the Radio Star."
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: After Walker Evans: 1–22 Target entity description: After Walker Evans: 1–22 is a conceptual art series by Sherrie Levine consisting of rephotographed images that critically examine authorship, originality, and appropriation in modern art.
-
A.
Walker Evans
Walker Evans was a prominent American photographer renowned for his stark, influential images of everyday life during the Great Depression.
-
B.
American Photographs
American Photographs is a landmark 1938 photobook by Walker Evans that powerfully documents American life during the Great Depression and helped define modern documentary photography.
-
C.
Let Us Now Praise Famous Men (photographs by Walker Evans)
Let Us Now Praise Famous Men (photographs by Walker Evans) is a landmark collection of documentary images depicting impoverished tenant farmers in the American South during the Great Depression, created to accompany James Agee’s influential text of the same name.
-
D.
Eliot Porter photographs
Eliot Porter photographs are a renowned body of color nature and landscape photography celebrated for their pioneering role in fine art color photography and their meticulous, lyrical depictions of the natural world.
-
E.
Bruce Woolley and the Camera Club
Bruce Woolley and the Camera Club was a late-1970s new wave band led by songwriter Bruce Woolley, best known for its role in creating and first recording the song "Video Killed the Radio Star."
- F. None of above. chosen
Statements (29)
| Predicate | Object |
|---|---|
| instanceOf |
appropriation art work
ⓘ
conceptual art series ⓘ |
| artForm | photographic series ⓘ |
| artisticApproach | direct photographic copying of existing images ⓘ |
| basedOn | photographs by Walker Evans ⓘ |
| conceptualFocus |
challenging traditional notions of artistic authorship
ⓘ
interrogating the value of reproduction in art markets ⓘ questioning the status of the original artwork ⓘ |
| countryOfOrigin |
United States of America
ⓘ
surface form:
United States
|
| creator | Sherrie Levine NERFINISHED ⓘ |
| genre | conceptual art ⓘ |
| influencedBy | Walker Evans NERFINISHED ⓘ |
| languageOfTitle | English ⓘ |
| mainTheme |
appropriation
ⓘ
artistic originality in modern art ⓘ authorship ⓘ originality ⓘ reproduction in art ⓘ |
| medium | photography ⓘ |
| movement |
Appropriation art
ⓘ
Postmodern art NERFINISHED ⓘ |
| notableFor |
critical examination of appropriation in modern art
ⓘ
critical examination of authorship in art ⓘ critical examination of originality in art ⓘ |
| numberOfWorks | 22 ⓘ |
| partOf | Sherrie Levine’s photographic appropriation works ⓘ |
| subjectMatter | Walker Evans photographs NERFINISHED ⓘ |
| technique | rephotography ⓘ |
| title | After Walker Evans: 1–22 NERFINISHED ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: After Walker Evans: 1–22 Description of subject: After Walker Evans: 1–22 is a conceptual art series by Sherrie Levine consisting of rephotographed images that critically examine authorship, originality, and appropriation in modern art.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.