Fugue in C-sharp major, BWV 848
E301397
Fugue in C-sharp major, BWV 848 is a contrapuntal keyboard work by Johann Sebastian Bach, notable for its intricate thematic development and inclusion in his influential collection The Well-Tempered Clavier.
All labels observed (3)
How this entity was disambiguated
This entity first appeared as the object of triple T2797682 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Fugue in C-sharp major, BWV 848 Context triple: [The Well-Tempered Clavier, contains, Fugue in C-sharp major, BWV 848]
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A.
Fugue in C major, BWV 846
Fugue in C major, BWV 846 is Johann Sebastian Bach’s opening fugue from Book I of The Well-Tempered Clavier, renowned for its clarity, contrapuntal craftsmanship, and foundational role in keyboard repertoire.
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B.
The Art of Fugue
The Art of Fugue is an unfinished late contrapuntal masterpiece by Johann Sebastian Bach that systematically explores the possibilities of a single musical theme through a series of complex fugues and canons.
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C.
Prelude in C major, BWV 846
Prelude in C major, BWV 846 is one of Johann Sebastian Bach’s most famous keyboard pieces, renowned for its flowing arpeggios and often used as an introductory work for piano students and performers.
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D.
Contrapunctus VIII
Contrapunctus VIII is one of the more elaborate fugues in J.S. Bach’s *The Art of Fugue*, notable for its lively character and intricate contrapuntal writing.
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E.
Contrapunctus VII
Contrapunctus VII is one of the complex fugues from J.S. Bach’s unfinished masterpiece *The Art of Fugue*, notable for its intricate contrapuntal writing and learned style.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Fugue in C-sharp major, BWV 848 Target entity description: Fugue in C-sharp major, BWV 848 is a contrapuntal keyboard work by Johann Sebastian Bach, notable for its intricate thematic development and inclusion in his influential collection The Well-Tempered Clavier.
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A.
Fugue in C major, BWV 846
Fugue in C major, BWV 846 is Johann Sebastian Bach’s opening fugue from Book I of The Well-Tempered Clavier, renowned for its clarity, contrapuntal craftsmanship, and foundational role in keyboard repertoire.
-
B.
The Art of Fugue
The Art of Fugue is an unfinished late contrapuntal masterpiece by Johann Sebastian Bach that systematically explores the possibilities of a single musical theme through a series of complex fugues and canons.
-
C.
Prelude in C major, BWV 846
Prelude in C major, BWV 846 is one of Johann Sebastian Bach’s most famous keyboard pieces, renowned for its flowing arpeggios and often used as an introductory work for piano students and performers.
-
D.
Contrapunctus VIII
Contrapunctus VIII is one of the more elaborate fugues in J.S. Bach’s *The Art of Fugue*, notable for its lively character and intricate contrapuntal writing.
-
E.
Contrapunctus VII
Contrapunctus VII is one of the complex fugues from J.S. Bach’s unfinished masterpiece *The Art of Fugue*, notable for its intricate contrapuntal writing and learned style.
- F. None of above. chosen
Statements (47)
| Predicate | Object |
|---|---|
| instanceOf |
Baroque composition
ⓘ
fugue ⓘ keyboard composition ⓘ |
| associatedCycle | 24 prelude-and-fugue pairs in all major and minor keys ⓘ |
| associatedWorkBySameComposer | Prelude in C-sharp major, BWV 848 ⓘ |
| catalogNumber | BWV 848 ⓘ |
| collection |
The Well-Tempered Clavier
ⓘ
surface form:
Das wohltemperierte Klavier I
The Well-Tempered Clavier ⓘ |
| composer | Johann Sebastian Bach ⓘ |
| composerNationality | German ⓘ |
| compositionDate | circa 1722 ⓘ |
| countryOfOrigin | Electorate of Saxony ⓘ |
| educationalLevel | advanced keyboard students ⓘ |
| genre | fugue ⓘ |
| hasOpusForm | prelude-and-fugue pair ⓘ |
| hasWorkNumber | BWV 848 ⓘ |
| includedInStandardRepertoire | yes ⓘ |
| influenced |
later fugue writing in the Classical period
ⓘ
pedagogical approaches to counterpoint ⓘ |
| intendedInstrument |
clavichord
ⓘ
harpsichord ⓘ keyboard ⓘ |
| key | C-sharp major ⓘ |
| keySignature | four sharps ⓘ |
| languageOfTitle | German ⓘ |
| movementType | fugue ⓘ |
| notableFeature |
closely related countersubjects
ⓘ
intricate thematic development ⓘ sequential episodes ⓘ use of stretto ⓘ |
| numberOfVoices | 4 ⓘ |
| originalTitle | Fuga 3 a 4 voci in Cis-dur ⓘ |
| pairedWith | Prelude in C-sharp major, BWV 848 ⓘ |
| partOf |
The Well-Tempered Clavier
ⓘ
surface form:
The Well-Tempered Clavier, Book I
|
| placeInCycle | third prelude-and-fugue pair in Book I ⓘ |
| positionInCollection |
Fugue in C-sharp major, BWV 848
self-linksurface differs
ⓘ
surface form:
No. 3 fugue in Book I of The Well-Tempered Clavier
|
| relatedConcept |
Baroque keyboard technique
ⓘ
thematic development in fugue ⓘ well-tempered tuning systems ⓘ |
| stylePeriod | Baroque ⓘ |
| tempoIndication | Allegro (in many modern editions) ⓘ |
| texture | contrapuntal ⓘ |
| tonality | major ⓘ |
| tonicNote | C-sharp ⓘ |
| tuningConcept | well temperament ⓘ |
| usedFor |
keyboard pedagogy
ⓘ
study of Baroque counterpoint ⓘ |
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You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Fugue in C-sharp major, BWV 848 Description of subject: Fugue in C-sharp major, BWV 848 is a contrapuntal keyboard work by Johann Sebastian Bach, notable for its intricate thematic development and inclusion in his influential collection The Well-Tempered Clavier.
Referenced by (6)
Full triples — surface form annotated when it differs from this entity's canonical label.