Musikalisches Opfer
E301062
Musikalisches Opfer is a collection of complex contrapuntal compositions by Johann Sebastian Bach, renowned for its intricate canons and fugues based on a theme given by Frederick the Great.
All labels observed (3)
| Label | Occurrences |
|---|---|
| Das Musikalische Opfer | 3 |
| Musikalisches Opfer canonical | 3 |
| Musicalisches Opfer | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T2823058 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Musikalisches Opfer Context triple: [Musical Offering, title, Musikalisches Opfer]
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A.
The Musician
The Musician is a fictional storyteller and performer who appears as one of the diverse narrators gathered at the inn in Henry Wadsworth Longfellow’s "Tales of a Wayside Inn."
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B.
An die Freude
"An die Freude" is Friedrich Schiller’s ode celebrating universal brotherhood and joy, famously set to music in the choral finale of Beethoven’s Ninth Symphony.
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C.
La Musique
La Musique is a 1910 oil painting by Henri Matisse that depicts a group of figures engaged with music in a bold, simplified, and vividly colored Fauvist style.
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D.
De Haller
De Haller is a residential neighborhood within the municipality of Chêne-Bougeries in the canton of Geneva, Switzerland.
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E.
Miserere
Miserere is a sacred choral composition by Jean-Baptiste Lully, reflecting the grand liturgical style of the French Baroque.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Musikalisches Opfer Target entity description: Musikalisches Opfer is a collection of complex contrapuntal compositions by Johann Sebastian Bach, renowned for its intricate canons and fugues based on a theme given by Frederick the Great.
-
A.
The Musician
The Musician is a fictional storyteller and performer who appears as one of the diverse narrators gathered at the inn in Henry Wadsworth Longfellow’s "Tales of a Wayside Inn."
-
B.
An die Freude
"An die Freude" is Friedrich Schiller’s ode celebrating universal brotherhood and joy, famously set to music in the choral finale of Beethoven’s Ninth Symphony.
-
C.
La Musique
La Musique is a 1910 oil painting by Henri Matisse that depicts a group of figures engaged with music in a bold, simplified, and vividly colored Fauvist style.
-
D.
De Haller
De Haller is a residential neighborhood within the municipality of Chêne-Bougeries in the canton of Geneva, Switzerland.
-
E.
Miserere
Miserere is a sacred choral composition by Jean-Baptiste Lully, reflecting the grand liturgical style of the French Baroque.
- F. None of above. chosen
Statements (47)
| Predicate | Object |
|---|---|
| instanceOf |
collection of compositions
ⓘ
musical composition ⓘ |
| alsoKnownAs |
Musikalisches Opfer
ⓘ
surface form:
Das Musikalische Opfer
Musical Offering ⓘ
surface form:
The Musical Offering
|
| approximateCompositionYear | 1747 ⓘ |
| basedOnThemeBy | Frederick II of Prussia ⓘ |
| catalogueNumber | BWV 1079 ⓘ |
| composer | Johann Sebastian Bach ⓘ |
| containsForm |
canon
ⓘ
fugue ⓘ ricercar ⓘ trio sonata ⓘ |
| countryOfOrigin | Germany ⓘ |
| dedicatedTo | Frederick II of Prussia ⓘ |
| era | High Baroque ⓘ |
| genre |
chamber music
ⓘ
contrapuntal music ⓘ |
| hasCanonicalStatus | core repertoire of Baroque chamber music ⓘ |
| hasPart |
Ricercar a 3
ⓘ
Ricercar a 6 ⓘ trio sonata in C minor ⓘ various canons ⓘ |
| hasScholarlyInterest | extensively analyzed in music theory and musicology ⓘ |
| hasTheme | royal theme of Frederick II of Prussia ⓘ |
| historicalSignificance |
important example of Baroque contrapuntal art
ⓘ
major late work of Johann Sebastian Bach ⓘ |
| inspiredByEvent | Bach’s visit to Frederick II of Prussia in 1747 ⓘ |
| keyCharacteristic |
complex counterpoint
ⓘ
elaborate fugues ⓘ intricate canons ⓘ |
| languageOfTitle |
German
ⓘ
Latin ⓘ |
| movementCountApproximate | 16 ⓘ |
| notableFeature |
combination of strict counterpoint and expressive style
ⓘ
exploration of invertible counterpoint ⓘ use of a single royal theme throughout ⓘ use of augmentation and diminution ⓘ use of canons in riddle form ⓘ |
| originalInstrumentationNotFullySpecified | true ⓘ |
| period | Baroque ⓘ |
| placeOfInspiration | Potsdam ⓘ |
| publisherLocation | Leipzig ⓘ |
| relatedWorkByComposer |
The Art of Fugue
ⓘ
surface form:
Die Kunst der Fuge
|
| titleInEnglish |
Musical Offering
ⓘ
surface form:
The Musical Offering
|
| titleInGerman | Musikalisches Opfer self-link ⓘ |
| titleInLatin | Offertorium ⓘ |
| typicalInstrumentation | keyboard and melody instruments ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Musikalisches Opfer Description of subject: Musikalisches Opfer is a collection of complex contrapuntal compositions by Johann Sebastian Bach, renowned for its intricate canons and fugues based on a theme given by Frederick the Great.
Referenced by (7)
Full triples — surface form annotated when it differs from this entity's canonical label.