Beethoven Opus 131
E280021
Beethoven Opus 131 is a celebrated late-period chamber work by Ludwig van Beethoven, renowned for its emotional depth, structural innovation, and continuous seven-movement form.
All labels observed (3)
| Label | Occurrences |
|---|---|
| Beethoven Opus 131 canonical | 1 |
| Beethoven’s late style | 1 |
| Op. 131 | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T2577482 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Beethoven Opus 131 Context triple: [String Quartet No. 14 in C-sharp minor, Op. 131, opusGroup, Beethoven Opus 131]
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A.
Symphony No. 5 in D minor, Op. 107 "Reformation"
Symphony No. 5 in D minor, Op. 107 "Reformation" is a symphony by Felix Mendelssohn that commemorates the Protestant Reformation and prominently incorporates Martin Luther’s chorale "Ein feste Burg ist unser Gott."
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B.
Symphony No. 9 in E minor
Symphony No. 9 in E minor is Ralph Vaughan Williams’s final symphony, a darkly colored and enigmatic late work that blends traditional symphonic form with strikingly modern orchestral sonorities.
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C.
Symphony No. 9 in D minor, Op. 125
Symphony No. 9 in D minor, Op. 125 is Beethoven’s monumental final symphony, renowned for its choral finale setting Schiller’s “Ode to Joy” and its profound influence on Western classical music.
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D.
Symphony No. 8 in B minor "Unfinished"
Symphony No. 8 in B minor "Unfinished" is one of Franz Schubert’s most famous symphonies, renowned for its two-movement form, lyrical melodies, and haunting, incomplete character.
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E.
Symphony No. 9 in D major
Symphony No. 9 in D major is Gustav Mahler’s final completed symphony, renowned for its profound emotional depth and often interpreted as a farewell to life and the late-Romantic symphonic tradition.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Beethoven Opus 131 Target entity description: Beethoven Opus 131 is a celebrated late-period chamber work by Ludwig van Beethoven, renowned for its emotional depth, structural innovation, and continuous seven-movement form.
-
A.
Symphony No. 5 in D minor, Op. 107 "Reformation"
Symphony No. 5 in D minor, Op. 107 "Reformation" is a symphony by Felix Mendelssohn that commemorates the Protestant Reformation and prominently incorporates Martin Luther’s chorale "Ein feste Burg ist unser Gott."
-
B.
Symphony No. 9 in E minor
Symphony No. 9 in E minor is Ralph Vaughan Williams’s final symphony, a darkly colored and enigmatic late work that blends traditional symphonic form with strikingly modern orchestral sonorities.
-
C.
Symphony No. 9 in D minor, Op. 125
Symphony No. 9 in D minor, Op. 125 is Beethoven’s monumental final symphony, renowned for its choral finale setting Schiller’s “Ode to Joy” and its profound influence on Western classical music.
-
D.
Symphony No. 8 in B minor "Unfinished"
Symphony No. 8 in B minor "Unfinished" is one of Franz Schubert’s most famous symphonies, renowned for its two-movement form, lyrical melodies, and haunting, incomplete character.
-
E.
Symphony No. 9 in D major
Symphony No. 9 in D major is Gustav Mahler’s final completed symphony, renowned for its profound emotional depth and often interpreted as a farewell to life and the late-Romantic symphonic tradition.
- F. None of above. chosen
Statements (47)
| Predicate | Object |
|---|---|
| instanceOf |
chamber music work
ⓘ
musical composition ⓘ string quartet ⓘ |
| approximateCompositionYear | 1826 ⓘ |
| catalogNumber |
Beethoven Opus 131
self-linksurface differs
ⓘ
surface form:
Op. 131
|
| completionYear | 1826 ⓘ |
| composer | Ludwig van Beethoven ⓘ |
| criticalReputation | considered one of Beethoven’s greatest string quartets ⓘ |
| dedicatedTo | Baron Joseph von Stutterheim ⓘ |
| emotionalCharacter | introspective and profound ⓘ |
| ensemble | two violins, viola, and cello ⓘ |
| era |
Romantic period in music
ⓘ
surface form:
Romantic era (early)
|
| genre | classical music ⓘ |
| influence | influenced later Romantic and modern chamber music ⓘ |
| key | C-sharp minor ⓘ |
| languageOfTitle | Italian ⓘ |
| movement1Key | C-sharp minor ⓘ |
| movement1Tempo | Adagio ma non troppo e molto espressivo ⓘ |
| movement2Key | D major ⓘ |
| movement2Tempo | Allegro molto vivace ⓘ |
| movement3Key | B minor ⓘ |
| movement3Tempo | Allegro moderato ⓘ |
| movement4Key | A major ⓘ |
| movement4Tempo | Andante ma non troppo e molto cantabile ⓘ |
| movement5Key | E major ⓘ |
| movement5Tempo | Presto ⓘ |
| movement6Key | G-sharp minor ⓘ |
| movement6Tempo | Adagio quasi un poco andante ⓘ |
| movement7Key | C-sharp minor ⓘ |
| movement7Tempo | Allegro ⓘ |
| movementCount | 7 ⓘ |
| notableFeature |
cyclical thematic relationships between movements
ⓘ
fugal opening movement ⓘ great emotional depth ⓘ high degree of structural innovation ⓘ |
| numberInSeries | 14 ⓘ |
| opusGroup |
Beethoven string quartets
ⓘ
surface form:
Beethoven string quartets Opp. 127, 130–135
|
| performancePracticeNote | typically performed without breaks between movements ⓘ |
| period | late period of Beethoven ⓘ |
| placeInComposerOutput | one of Beethoven’s late string quartets ⓘ |
| premiereYear | 1828 ⓘ |
| relatedWorkGroup |
Beethoven string quartets
ⓘ
surface form:
Beethoven late string quartets
|
| structureFeature |
continuous seven-movement form
ⓘ
movements played without pause ⓘ |
| title | String Quartet No. 14 in C-sharp minor, Op. 131 ⓘ |
| tonalPlanFeature | unconventional key relationships between movements ⓘ |
| workType | string quartet ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Beethoven Opus 131 Description of subject: Beethoven Opus 131 is a celebrated late-period chamber work by Ludwig van Beethoven, renowned for its emotional depth, structural innovation, and continuous seven-movement form.
Referenced by (3)
Full triples — surface form annotated when it differs from this entity's canonical label.