A Bar at the Folies-Bergère
E255375
A Bar at the Folies-Bergère is an 1882 oil painting by Édouard Manet that famously depicts a barmaid before a mirror in a bustling Parisian café-concert, noted for its complex play of reflection and modern urban subject matter.
All labels observed (1)
| Label | Occurrences |
|---|---|
| A Bar at the Folies-Bergère canonical | 4 |
How this entity was disambiguated
This entity first appeared as the object of triple T2333187 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: A Bar at the Folies-Bergère Context triple: [Édouard Manet, notableWork, A Bar at the Folies-Bergère]
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A.
L’Après-midi d’un faune
L’Après-midi d’un faune is a symbolist poem by Stéphane Mallarmé that portrays the dreamy, sensual reverie of a faun reflecting on his encounters with nymphs.
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B.
Pierre; or, The Ambiguities
Pierre; or, The Ambiguities is a dark, psychologically complex novel by Herman Melville that explores identity, morality, and family secrets in a Gothic, experimental style.
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C.
Chaise cassée
Chaise cassée is the French title of the monumental Broken Chair sculpture, a giant wooden chair with a broken leg symbolizing opposition to land mines and armed violence, located in Geneva.
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D.
Scènes de la vie parisienne
Scènes de la vie parisienne is a section of Honoré de Balzac’s La Comédie humaine that groups together his novels and stories depicting the manners, society, and everyday life of 19th-century Paris.
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E.
Le Déjeuner sur l'herbe
Le Déjeuner sur l'herbe is a groundbreaking 1863 painting by Édouard Manet that scandalized contemporary audiences with its depiction of a nude woman picnicking with clothed men and is now seen as a key precursor to modern art.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: A Bar at the Folies-Bergère Target entity description: A Bar at the Folies-Bergère is an 1882 oil painting by Édouard Manet that famously depicts a barmaid before a mirror in a bustling Parisian café-concert, noted for its complex play of reflection and modern urban subject matter.
-
A.
L’Après-midi d’un faune
L’Après-midi d’un faune is a symbolist poem by Stéphane Mallarmé that portrays the dreamy, sensual reverie of a faun reflecting on his encounters with nymphs.
-
B.
Pierre; or, The Ambiguities
Pierre; or, The Ambiguities is a dark, psychologically complex novel by Herman Melville that explores identity, morality, and family secrets in a Gothic, experimental style.
-
C.
Chaise cassée
Chaise cassée is the French title of the monumental Broken Chair sculpture, a giant wooden chair with a broken leg symbolizing opposition to land mines and armed violence, located in Geneva.
-
D.
Scènes de la vie parisienne
Scènes de la vie parisienne is a section of Honoré de Balzac’s La Comédie humaine that groups together his novels and stories depicting the manners, society, and everyday life of 19th-century Paris.
-
E.
Le Déjeuner sur l'herbe
Le Déjeuner sur l'herbe is a groundbreaking 1863 painting by Édouard Manet that scandalized contemporary audiences with its depiction of a nude woman picnicking with clothed men and is now seen as a key precursor to modern art.
- F. None of above. chosen
Statements (48)
| Predicate | Object |
|---|---|
| instanceOf |
oil painting
ⓘ
painting ⓘ |
| artist | Édouard Manet ⓘ |
| artworkSurface | canvas ⓘ |
| basedOn | Folies Bergère ⓘ |
| collection |
Courtauld Gallery
ⓘ
surface form:
The Courtauld, London
|
| countryOfOrigin | France ⓘ |
| creator | Édouard Manet ⓘ |
| depicts |
Folies Bergère
ⓘ
Parisian nightlife ⓘ barmaid ⓘ bottles ⓘ crowd ⓘ male customer ⓘ mirror ⓘ modern urban life ⓘ oranges ⓘ spectators ⓘ trapeze artist ⓘ |
| describedBySource | art historical literature ⓘ |
| exhibitedAt | Paris Salon of 1882 ⓘ |
| genre | genre painting ⓘ |
| hasPart |
beer bottles
ⓘ
bottles of champagne ⓘ bowl of oranges ⓘ cherry blossoms in vase ⓘ liqueur bottles ⓘ marble bar counter ⓘ mirror reflection ⓘ |
| inception | 1882 ⓘ |
| influencedBy | modern Parisian culture ⓘ |
| languageOfWork | none ⓘ |
| location |
Courtauld Gallery
ⓘ
London, England ⓘ
surface form:
London
|
| mainSubject | barmaid ⓘ |
| materialUsed |
canvas
ⓘ
oil paint ⓘ |
| movement |
Impressionism
ⓘ
Realism ⓘ |
| notableFor |
ambiguous spatial construction
ⓘ
complex mirror reflections ⓘ depiction of Parisian café-concert culture ⓘ innovative composition ⓘ modern subject matter ⓘ psychological ambiguity ⓘ |
| originalTitle |
Folies Bergère
ⓘ
surface form:
Un bar aux Folies Bergère
|
| partOf | Manet’s late works ⓘ |
| title | A Bar at the Folies-Bergère self-link ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: A Bar at the Folies-Bergère Description of subject: A Bar at the Folies-Bergère is an 1882 oil painting by Édouard Manet that famously depicts a barmaid before a mirror in a bustling Parisian café-concert, noted for its complex play of reflection and modern urban subject matter.
Referenced by (4)
Full triples — surface form annotated when it differs from this entity's canonical label.