Love Actually (film score)
E244266
Love Actually (film score) is the romantic-comedy film soundtrack composed by Craig Armstrong, known for its lush orchestral themes and emotional underscore for the 2003 movie "Love Actually."
All labels observed (3)
| Label | Occurrences |
|---|---|
| Love Actually (film score) canonical | 3 |
| Love Actually original soundtrack | 1 |
| Love Actually – Original Motion Picture Soundtrack | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T2215942 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Love Actually (film score) Context triple: [Craig Armstrong, notableWork, Love Actually (film score)]
-
A.
Chariots of Fire (film score)
Chariots of Fire (film score) is the iconic, synthesizer-driven soundtrack by Vangelis for the 1981 British film, renowned for its uplifting main theme that became a symbol of triumph and perseverance.
-
B.
The Walk (film score)
The Walk (film score) is a cinematic orchestral soundtrack composed by Alan Silvestri for the 2015 biographical drama film "The Walk," enhancing the tension and emotional arc of Philippe Petit's high-wire feat.
-
C.
Forrest Gump (film score)
Forrest Gump (film score) is the orchestral soundtrack composed by Alan Silvestri, renowned for its emotive themes that underscore the film’s sweeping, nostalgic narrative.
-
D.
Stuart Little (film score)
Stuart Little (film score) is the orchestral soundtrack composed by Alan Silvestri for the 1999 family film "Stuart Little," blending whimsical and heartfelt themes to support the movie’s lighthearted tone.
-
E.
The Heiress (film score)
The Heiress (film score) is Aaron Copland’s acclaimed 1949 orchestral soundtrack for the film adaptation of Henry James’s "Washington Square," noted for its emotionally nuanced, romantic yet modernist style.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Love Actually (film score) Target entity description: Love Actually (film score) is the romantic-comedy film soundtrack composed by Craig Armstrong, known for its lush orchestral themes and emotional underscore for the 2003 movie "Love Actually."
-
A.
Chariots of Fire (film score)
Chariots of Fire (film score) is the iconic, synthesizer-driven soundtrack by Vangelis for the 1981 British film, renowned for its uplifting main theme that became a symbol of triumph and perseverance.
-
B.
The Walk (film score)
The Walk (film score) is a cinematic orchestral soundtrack composed by Alan Silvestri for the 2015 biographical drama film "The Walk," enhancing the tension and emotional arc of Philippe Petit's high-wire feat.
-
C.
Forrest Gump (film score)
Forrest Gump (film score) is the orchestral soundtrack composed by Alan Silvestri, renowned for its emotive themes that underscore the film’s sweeping, nostalgic narrative.
-
D.
Stuart Little (film score)
Stuart Little (film score) is the orchestral soundtrack composed by Alan Silvestri for the 1999 family film "Stuart Little," blending whimsical and heartfelt themes to support the movie’s lighthearted tone.
-
E.
The Heiress (film score)
The Heiress (film score) is Aaron Copland’s acclaimed 1949 orchestral soundtrack for the film adaptation of Henry James’s "Washington Square," noted for its emotionally nuanced, romantic yet modernist style.
- F. None of above. chosen
Statements (40)
| Predicate | Object |
|---|---|
| instanceOf |
film score
ⓘ
soundtrack ⓘ |
| associatedAct | Craig Armstrong ⓘ |
| associatedGenreOfFilm | romantic comedy ⓘ |
| associatedYearOfFilm | 2003 ⓘ |
| basedOn |
Love Actually
ⓘ
Love Actually ⓘ
surface form:
Love Actually (film)
|
| composer | Craig Armstrong ⓘ |
| composerNationality | Scottish ⓘ |
| countryOfOrigin | United Kingdom ⓘ |
| directorCollaborator | Richard Curtis ⓘ |
| genre |
orchestral film score
ⓘ
romantic comedy film score ⓘ |
| hasOrchestration |
choral elements
ⓘ
piano ⓘ string orchestra ⓘ |
| hasReception |
critically appreciated for emotional impact
ⓘ
noted for enhancing romantic narrative arcs ⓘ |
| hasTheme |
Christmas
ⓘ
love ⓘ romance ⓘ |
| hasType | original score ⓘ |
| label |
Universal Music Group
ⓘ
surface form:
Universal Music (soundtrack context)
|
| medium | film ⓘ |
| musicStyle |
dramatic
ⓘ
romantic ⓘ sentimental ⓘ |
| notableCharacteristic |
emotional underscore
ⓘ
lush orchestral themes ⓘ |
| originalLanguage | instrumental ⓘ |
| partOf |
Love Actually (film score)
self-linksurface differs
ⓘ
surface form:
Love Actually – Original Motion Picture Soundtrack
|
| partOfFranchise |
Love Actually
ⓘ
surface form:
Love Actually franchise
|
| productionYear | 2003 ⓘ |
| publicationDate | 2003 ⓘ |
| publisher |
Universal Pictures
ⓘ
surface form:
Universal Pictures (film context)
|
| recordingType | orchestral recording ⓘ |
| settingTime | Christmas season ⓘ |
| usedFor |
emotional scenes in Love Actually
ⓘ
film underscore ⓘ |
| usedIn | Love Actually ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Love Actually (film score) Description of subject: Love Actually (film score) is the romantic-comedy film soundtrack composed by Craig Armstrong, known for its lush orchestral themes and emotional underscore for the 2003 movie "Love Actually."
Referenced by (5)
Full triples — surface form annotated when it differs from this entity's canonical label.