Alceste
E234016
Alceste is an opera by Christoph Willibald Gluck that exemplifies his reformist approach to opera, emphasizing dramatic integrity and expressive simplicity over vocal virtuosity.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Alceste canonical | 7 |
How this entity was disambiguated
This entity first appeared as the object of triple T2117680 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Alceste Context triple: [Christoph Willibald Gluck, notableWork, Alceste]
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A.
Alceste
Alceste is a French Baroque opera by Jean-Baptiste Lully, known for its tragédie lyrique style and collaboration with librettist Philippe Quinault.
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B.
Hippolytus
Hippolytus is a tragedy by the ancient Greek playwright Euripides that dramatizes the destructive consequences of forbidden desire, honor, and divine vengeance within a royal family.
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C.
Polus
Polus is a young, ambitious rhetorician in Plato’s dialogue "Gorgias," often portrayed as an overconfident student of the sophist Gorgias.
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D.
Polus
Polus is the Roman mythological figure identified with the Greek Titan Coeus, associated with the celestial axis and the heavens.
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E.
Sterope
Sterope is a figure from Greek mythology, traditionally considered one of the Pleiades and a daughter of the Titan Atlas.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Alceste Target entity description: Alceste is an opera by Christoph Willibald Gluck that exemplifies his reformist approach to opera, emphasizing dramatic integrity and expressive simplicity over vocal virtuosity.
-
A.
Alceste
Alceste is a French Baroque opera by Jean-Baptiste Lully, known for its tragédie lyrique style and collaboration with librettist Philippe Quinault.
-
B.
Hippolytus
Hippolytus is a tragedy by the ancient Greek playwright Euripides that dramatizes the destructive consequences of forbidden desire, honor, and divine vengeance within a royal family.
-
C.
Polus
Polus is the Roman mythological figure identified with the Greek Titan Coeus, associated with the celestial axis and the heavens.
-
D.
Polus
Polus is a young, ambitious rhetorician in Plato’s dialogue "Gorgias," often portrayed as an overconfident student of the sophist Gorgias.
-
E.
Sterope
Sterope is a figure from Greek mythology, traditionally considered one of the Pleiades and a daughter of the Titan Atlas.
- F. None of above. chosen
Statements (45)
| Predicate | Object |
|---|---|
| instanceOf | opera ⓘ |
| acts | 3 ⓘ |
| aestheticPrinciple |
dramatic integrity over vocal display
ⓘ
expressive simplicity ⓘ |
| basedOn |
Alcestis by Euripides
ⓘ
surface form:
Euripides’ play Alcestis
myth of Alcestis ⓘ |
| catalogueNote | often cited as key work of Gluck’s operatic reform ⓘ |
| character |
Admetus
ⓘ
surface form:
Admeto
Alceste self-link ⓘ Apollo ⓘ Hercules ⓘ |
| composer | Christoph Willibald Gluck ⓘ |
| dedicatedTo |
Francis Stephen of Lorraine
ⓘ
surface form:
Emperor Francis I
|
| era | 18th‑century opera ⓘ |
| firstPerformanceCity | Vienna ⓘ |
| followedBy | Paride ed Elena ⓘ |
| genre | opera seria ⓘ |
| historicalContext | Gluck’s reform of opera seria ⓘ |
| language |
French
ⓘ
Italian ⓘ |
| librettist | Ranieri de’ Calzabigi ⓘ |
| notableFeature |
continuous dramatic flow
ⓘ
integrated choruses ⓘ reduced use of da capo arias ⓘ |
| orchestration | classical orchestra with prominent strings and winds ⓘ |
| overture | symphonic introduction reflecting tragic mood ⓘ |
| period | Classical antiquity ⓘ |
| placeInComposerOutput | second of Gluck’s major reform operas ⓘ |
| precededBy |
Orphée et Eurydice
ⓘ
surface form:
Orfeo ed Euridice
|
| premiereDate | 1767-12-26 ⓘ |
| premierePlace | Burgtheater, Vienna ⓘ |
| revisedVersionCity | Paris ⓘ |
| revisedVersionLanguage | French ⓘ |
| revisedVersionLibrettist |
François-Louis Gand Le Bland Du Roullet
ⓘ
Jean-Baptiste Du Roullet NERFINISHED ⓘ |
| revisedVersionPremiereDate | 1776-04-23 ⓘ |
| revisedVersionPremierePlace |
Académie royale de musique
ⓘ
surface form:
Académie Royale de Musique, Paris
|
| setting | Thessaly ⓘ |
| style | reform opera ⓘ |
| subject |
conjugal love
ⓘ
duty and fate ⓘ self‑sacrifice ⓘ |
| vocalForces |
chorus
ⓘ
orchestra ⓘ solo voices ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Alceste Description of subject: Alceste is an opera by Christoph Willibald Gluck that exemplifies his reformist approach to opera, emphasizing dramatic integrity and expressive simplicity over vocal virtuosity.
Referenced by (7)
Full triples — surface form annotated when it differs from this entity's canonical label.