Tchaikovsky's Third Symphony
E227366
Tchaikovsky's Third Symphony is a five-movement orchestral work notable for its unusual structure, predominantly dance-like character, and bright, optimistic tone compared to many of the composer's later symphonies.
All labels observed (6)
How this entity was disambiguated
This entity first appeared as the object of triple T2011527 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Tchaikovsky's Third Symphony Context triple: [Symphony No. 3 in D major, Op. 29, alsoKnownAs, Tchaikovsky's Third Symphony]
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A.
Symphony No. 3 in D minor
Symphony No. 3 in D minor is Gustav Mahler’s expansive, six-movement symphony renowned for its philosophical scope, incorporation of vocal and choral forces, and exploration of nature and existence.
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B.
Symphony No. 3
Symphony No. 3 is a large-scale orchestral work by American composer John Harbison that exemplifies his contemporary yet accessible symphonic style.
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C.
Symphony No. 2 in C minor "Resurrection"
Symphony No. 2 in C minor "Resurrection" is Gustav Mahler’s monumental choral symphony exploring themes of death, redemption, and spiritual rebirth, renowned for its vast scale and powerful finale.
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D.
Third Symphony
Third Symphony is a landmark orchestral work by American composer Aaron Copland, celebrated for its expansive, optimistic style and incorporation of his famous "Fanfare for the Common Man."
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E.
Symphony No. 2
Symphony No. 2 is an orchestral work by American composer John Harbison that exemplifies his contemporary yet accessible symphonic style.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Tchaikovsky's Third Symphony Target entity description: Tchaikovsky's Third Symphony is a five-movement orchestral work notable for its unusual structure, predominantly dance-like character, and bright, optimistic tone compared to many of the composer's later symphonies.
-
A.
Symphony No. 3 in D minor
Symphony No. 3 in D minor is Gustav Mahler’s expansive, six-movement symphony renowned for its philosophical scope, incorporation of vocal and choral forces, and exploration of nature and existence.
-
B.
Symphony No. 3
Symphony No. 3 is a large-scale orchestral work by American composer John Harbison that exemplifies his contemporary yet accessible symphonic style.
-
C.
Symphony No. 2 in C minor "Resurrection"
Symphony No. 2 in C minor "Resurrection" is Gustav Mahler’s monumental choral symphony exploring themes of death, redemption, and spiritual rebirth, renowned for its vast scale and powerful finale.
-
D.
Third Symphony
Third Symphony is a landmark orchestral work by American composer Aaron Copland, celebrated for its expansive, optimistic style and incorporation of his famous "Fanfare for the Common Man."
-
E.
Symphony No. 2
Symphony No. 2 is an orchestral work by American composer John Harbison that exemplifies his contemporary yet accessible symphonic style.
- F. None of above. chosen
Statements (45)
| Predicate | Object |
|---|---|
| instanceOf |
orchestral work
ⓘ
symphony ⓘ |
| alternativeName |
Polish Symphony
ⓘ
Symphony No. 3 in D major ⓘ Symphony No. 3 in D major, Op. 29 ⓘ |
| catalogNumber | Op. 29 ⓘ |
| characteristic | predominantly dance-like ⓘ |
| composer | Pyotr Ilyich Tchaikovsky ⓘ |
| compositionEndDate | 1875 ⓘ |
| compositionStartDate | 1875 ⓘ |
| countryOfOrigin | Russian Empire ⓘ |
| dedication | Karl Davydov NERFINISHED ⓘ |
| firstPublicationDate | 1879 ⓘ |
| followedBy |
Tchaikovsky's Third Symphony
self-linksurface differs
ⓘ
surface form:
Tchaikovsky's Fourth Symphony
|
| genre | Romantic symphony ⓘ |
| hasMovement |
I. Introduzione e Allegro
ⓘ
II. Alla tedesca ⓘ III. Andante elegiaco ⓘ IV. Scherzo ⓘ V. Finale ⓘ |
| historicalContext | early mature period of Tchaikovsky's career ⓘ |
| influencedBy | Western European symphonic tradition ⓘ |
| key | D major ⓘ |
| language | N/A (instrumental music) ⓘ |
| movementCountType | five-movement structure ⓘ |
| movementForm |
finale based on polonaise rhythm
ⓘ
first movement in sonata form with slow introduction ⓘ |
| notableFeature |
contains several dance-like movements
ⓘ
nicknamed "Polish" due to polonaise-style finale ⓘ only Tchaikovsky symphony in a major key other than B-flat major ⓘ |
| numberOfMovements | 5 ⓘ |
| orchestration | symphony orchestra ⓘ |
| placeInComposerOutput | third of Tchaikovsky's numbered symphonies ⓘ |
| precededBy | Tchaikovsky's Second Symphony ⓘ |
| premiereConductor | Nikolai Rubinstein ⓘ |
| premiereDate | 1875-11-07 ⓘ |
| premiereLocation | Moscow ⓘ |
| publisher | P. Jurgenson ⓘ |
| recordingAvailability | widely recorded by major orchestras ⓘ |
| relativeMoodComparedToOtherTchaikovskySymphonies | more optimistic than many later symphonies ⓘ |
| structuralFeature | unusual five-movement design compared to standard four-movement symphony ⓘ |
| stylePeriod | Romantic ⓘ |
| tonalCharacter |
bright
ⓘ
optimistic ⓘ |
| typicalPerformanceDuration | approximately 45 minutes ⓘ |
How these facts were elicited
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You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Tchaikovsky's Third Symphony Description of subject: Tchaikovsky's Third Symphony is a five-movement orchestral work notable for its unusual structure, predominantly dance-like character, and bright, optimistic tone compared to many of the composer's later symphonies.
Referenced by (6)
Full triples — surface form annotated when it differs from this entity's canonical label.