Robert Schumann: Humoreske in B-flat major, Op. 20
E203713
Robert Schumann’s Humoreske in B-flat major, Op. 20 is a substantial, introspective piano work from his early Romantic period, notable for its shifting moods and emotional complexity.
All labels observed (2)
| Label | Occurrences |
|---|---|
| Humoreske in B-Dur, Op. 20 | 1 |
| Robert Schumann: Humoreske in B-flat major, Op. 20 canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T1773161 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Robert Schumann: Humoreske in B-flat major, Op. 20 Context triple: [Clara Schumann, dedicateeOf, Robert Schumann: Humoreske in B-flat major, Op. 20]
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A.
Robert Schumann: Blumenstück in D-flat major, Op. 19
Robert Schumann’s Blumenstück in D-flat major, Op. 19 is a lyrical Romantic piano piece known for its delicate, song-like character and intimate expressiveness.
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B.
Robert Schumann: Kreisleriana, Op. 16
Robert Schumann: Kreisleriana, Op. 16 is a highly expressive and technically demanding piano cycle from the Romantic era, inspired by E.T.A. Hoffmann’s fictional character Johannes Kreisler and noted for its rapid mood shifts and psychological depth.
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C.
Robert Schumann: Arabeske in C major, Op. 18
Robert Schumann’s Arabeske in C major, Op. 18 is a lyrical and intimate piano piece from his early Romantic period, noted for its poetic character and flowing, song-like melodies.
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D.
Robert Schumann: Fantasie in C major, Op. 17
Robert Schumann’s Fantasie in C major, Op. 17 is a monumental Romantic piano work renowned for its emotional depth, virtuosic demands, and richly imaginative structure.
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E.
Robert Schumann: Davidsbündlertänze, Op. 6
Robert Schumann’s Davidsbündlertänze, Op. 6 is a Romantic-era piano cycle of character pieces that reflects his alter egos Florestan and Eusebius and is considered one of his most poetic and intimate works.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Robert Schumann: Humoreske in B-flat major, Op. 20 Target entity description: Robert Schumann’s Humoreske in B-flat major, Op. 20 is a substantial, introspective piano work from his early Romantic period, notable for its shifting moods and emotional complexity.
-
A.
Robert Schumann: Blumenstück in D-flat major, Op. 19
Robert Schumann’s Blumenstück in D-flat major, Op. 19 is a lyrical Romantic piano piece known for its delicate, song-like character and intimate expressiveness.
-
B.
Robert Schumann: Kreisleriana, Op. 16
Robert Schumann: Kreisleriana, Op. 16 is a highly expressive and technically demanding piano cycle from the Romantic era, inspired by E.T.A. Hoffmann’s fictional character Johannes Kreisler and noted for its rapid mood shifts and psychological depth.
-
C.
Robert Schumann: Arabeske in C major, Op. 18
Robert Schumann’s Arabeske in C major, Op. 18 is a lyrical and intimate piano piece from his early Romantic period, noted for its poetic character and flowing, song-like melodies.
-
D.
Robert Schumann: Fantasie in C major, Op. 17
Robert Schumann’s Fantasie in C major, Op. 17 is a monumental Romantic piano work renowned for its emotional depth, virtuosic demands, and richly imaginative structure.
-
E.
Robert Schumann: Davidsbündlertänze, Op. 6
Robert Schumann’s Davidsbündlertänze, Op. 6 is a Romantic-era piano cycle of character pieces that reflects his alter egos Florestan and Eusebius and is considered one of his most poetic and intimate works.
- F. None of above. chosen
Statements (47)
| Predicate | Object |
|---|---|
| instanceOf |
Romantic piano work
ⓘ
solo piano piece ⓘ |
| approximateDuration | 25 minutes ⓘ |
| catalogueIn | Schumann piano repertoire ⓘ |
| catalogueStatus | major piano work in Schumann’s output ⓘ |
| composer | Robert Schumann ⓘ |
| composerEra | early period of Robert Schumann ⓘ |
| dedicatedTo | Julie von Webenau ⓘ |
| dynamicRange | very wide ⓘ |
| emotionalCharacter | oscillation between Florestan and Eusebius personae ⓘ |
| expressiveMarkingsLanguage | German ⓘ |
| firstPublicationYear | 1839 ⓘ |
| formCharacteristic |
alternation of fast and slow sections
ⓘ
use of contrasting character pieces within a single span ⓘ |
| genre |
Humoreske
ⓘ
character piece ⓘ |
| historicalContext | composed during Schumann’s separation from Clara Wieck ⓘ |
| instrumentation | piano ⓘ |
| intendedPerformerType | virtuoso pianist ⓘ |
| key | B-flat major ⓘ |
| languageOfTitle | German ⓘ |
| mood |
capricious
ⓘ
introspective ⓘ lyrical ⓘ turbulent ⓘ |
| notableFeature |
cyclical thematic references
ⓘ
emotional complexity ⓘ frequent shifts of mood ⓘ |
| opusNumber | Op. 20 ⓘ |
| performancePracticeNote | often played without breaks between sections ⓘ |
| period |
Romantic period in music
ⓘ
surface form:
Romantic era
|
| placeComposed | Vienna ⓘ |
| publisher | Breitkopf & Härtel ⓘ |
| reception | regarded as one of Schumann’s most introspective piano works ⓘ |
| relatedWorkByComposer |
Robert Schumann: Davidsbündlertänze, Op. 6
ⓘ
surface form:
Davidsbündlertänze, Op. 6
Fantasiestücke, Op. 12 ⓘ Kreisleriana, Op. 16 ⓘ |
| rhythmicFeature |
frequent syncopations
ⓘ
subtle rubato indications ⓘ |
| structure | single continuous movement with contrasting sections ⓘ |
| style | early Romantic ⓘ |
| technicalDifficulty | advanced ⓘ |
| texture | predominantly polyphonic with chordal passages ⓘ |
| thematicMaterial | recurring lyrical main theme ⓘ |
| titleInGerman |
Robert Schumann: Humoreske in B-flat major, Op. 20
self-linksurface differs
ⓘ
surface form:
Humoreske in B-Dur, Op. 20
|
| workNumbering | single-movement work with internal subsections ⓘ |
| yearComposed | 1839 ⓘ |
How these facts were elicited
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You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Robert Schumann: Humoreske in B-flat major, Op. 20 Description of subject: Robert Schumann’s Humoreske in B-flat major, Op. 20 is a substantial, introspective piano work from his early Romantic period, notable for its shifting moods and emotional complexity.
Referenced by (2)
Full triples — surface form annotated when it differs from this entity's canonical label.