Maeterlinck Songs, Op. 13

Target entity: Maeterlinck Songs, Op. 13
Context triple: [Alexander von Zemlinsky, notableWork, Maeterlinck Songs, Op. 13]

• A. Pierrot Lunaire
  Pierrot Lunaire is a landmark 1912 melodrama by Arnold Schoenberg that combines Sprechstimme, chamber ensemble, and expressionist poetry, marking a pivotal shift toward atonality in 20th-century music.
• B. La bonne chanson, Op. 61
  La bonne chanson, Op. 61 is a song cycle by Gabriel Fauré, composed for voice and piano (later with chamber ensemble) on poems by Paul Verlaine and regarded as one of his most refined and innovative vocal works.
• C. Pelléas et Mélisande, Op. 80
  Pelléas et Mélisande, Op. 80 is Gabriel Fauré’s atmospheric incidental music for Maurice Maeterlinck’s symbolist play, noted for its refined orchestration and lyrical, impressionistic character.
• D. The Wild Dove, Op. 110
  The Wild Dove, Op. 110 is a symphonic poem by Antonín Dvořák that vividly depicts a dark folk tale of guilt and retribution through richly expressive orchestral writing.
• E. Lyrisches Intermezzo
  Lyrisches Intermezzo is a cycle of love poems by Heinrich Heine, notable for its blend of romantic lyricism and ironic wit, later famously adapted by Robert Schumann in his song cycle "Dichterliebe."
• F. None of above. chosen
• G. Unsure - the case is ambiguous/there is not enough information to decide.

Target entity: Maeterlinck Songs, Op. 13
Target entity description: Maeterlinck Songs, Op. 13 is a song cycle for voice and orchestra by Alexander von Zemlinsky, setting texts by the Belgian symbolist writer Maurice Maeterlinck.

• A. Pierrot Lunaire
  Pierrot Lunaire is a landmark 1912 melodrama by Arnold Schoenberg that combines Sprechstimme, chamber ensemble, and expressionist poetry, marking a pivotal shift toward atonality in 20th-century music.
• B. La bonne chanson, Op. 61
  La bonne chanson, Op. 61 is a song cycle by Gabriel Fauré, composed for voice and piano (later with chamber ensemble) on poems by Paul Verlaine and regarded as one of his most refined and innovative vocal works.
• C. Pelléas et Mélisande, Op. 80
  Pelléas et Mélisande, Op. 80 is Gabriel Fauré’s atmospheric incidental music for Maurice Maeterlinck’s symbolist play, noted for its refined orchestration and lyrical, impressionistic character.
• D. The Wild Dove, Op. 110
  The Wild Dove, Op. 110 is a symphonic poem by Antonín Dvořák that vividly depicts a dark folk tale of guilt and retribution through richly expressive orchestral writing.
• E. Lyrisches Intermezzo
  Lyrisches Intermezzo is a cycle of love poems by Heinrich Heine, notable for its blend of romantic lyricism and ironic wit, later famously adapted by Robert Schumann in his song cycle "Dichterliebe."
• F. None of above. chosen