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gptkbp:instance_of
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gptkb:play
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|
gptkbp:adaptation
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gptkb:theatre
gptkb:opera
gptkb:film
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gptkbp:author
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gptkb:John_Webster
|
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gptkbp:character
|
gptkb:Bosola
gptkb:Cardinal
gptkb:The_Cardinal
gptkb:Ferdinand
gptkb:Julia
gptkb:Antonio
Cariola
Duchess's children
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gptkbp:critical_reception
|
widely studied
performed frequently
widely regarded as a classic
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gptkbp:cultural_impact
|
influenced literature
influenced film
studied in literature courses
inspired theatrical productions
performed in universities
influenced theatre
inspired scholarly articles
influenced modern feminist readings
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gptkbp:first_performance
|
1613
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gptkbp:genre
|
gptkb:earthquake
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gptkbp:historical_context
|
gptkb:football_club
gptkb:organization
gender roles
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https://www.w3.org/2000/01/rdf-schema#label
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Duchess of Malfi
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gptkbp:influence
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Jacobean drama
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gptkbp:influences
|
Jacobean drama
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gptkbp:inspiration
|
real-life Duchess of Malfi
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gptkbp:language
|
Early Modern English
English
|
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gptkbp:main_character
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gptkb:Duchess
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gptkbp:motif
|
gptkb:betrayal
gptkb:loyalty
gptkb:military_operation
gptkb:cemetery
madness
secrecy
|
|
gptkbp:notable_quote
|
“ I am Duchess of Malfi still.”
“ I am the Duchess of Malfi still.”
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gptkbp:official_language
|
Early Modern English
|
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gptkbp:performance
|
revived in the 20th century
performed in various adaptations
adapted for modern audiences
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gptkbp:setting
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gptkb:Italy
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gptkbp:social_structure
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five acts
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gptkbp:symbolism
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the key
the blood
the wax figures
the waxen statue
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gptkbp:themes
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gptkb:philosopher
gptkb:historical_event
gptkb:betrayal
gptkb:jealousy
gptkb:superhero
|
|
gptkbp:written_by
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gptkb:John_Webster
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gptkbp:bfsParent
|
gptkb:Dame_Helen_Mirren
gptkb:The_Duchess_of_Malfi
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gptkbp:bfsLayer
|
4
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