Duchamp: The Bride Stripped Bare by Her Bachelors, Even
GPTKB entity
Statements (49)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:artwork
|
| gptkbp:bfsLayer |
5
|
| gptkbp:bfsParent |
gptkb:Duchamp
|
| gptkbp:art_movement |
gptkb:Futurism
Controversial upon release |
| gptkbp:art_style |
gptkb:Artist
gptkb:art_installation Avant-garde Mechanical reproduction Non-linear narrative Anti-art Visual poetry Early 20th century art Critique of marriage Deconstruction of art |
| gptkbp:artistic_influence |
gptkb:Monarch
|
| gptkbp:artistic_legacy |
Influence on contemporary artists
Pioneered conceptual art |
| gptkbp:creator |
gptkb:Marcel_Duchamp
|
| gptkbp:cultural_impact |
Challenged traditional art forms
|
| gptkbp:cultural_significance |
Influential in modern art
|
| gptkbp:dimensions |
Large-scale installation
|
| gptkbp:exhibition |
gptkb:Museum_of_Modern_Art
Dada exhibitions First exhibited in 1938 |
| gptkbp:historical_context |
Exploration of desire
|
| gptkbp:influence |
Postmodern art
|
| gptkbp:inspiration |
gptkb:philosopher
|
| gptkbp:installation |
Permanent installation
|
| gptkbp:location |
gptkb:Philadelphia_Museum_of_Art
|
| gptkbp:medium |
mixed media
|
| gptkbp:movement |
gptkb:Dada
|
| gptkbp:narrative_style |
Between art and life
Narrative of love and loss |
| gptkbp:notable_features |
Glass panels
|
| gptkbp:related_works |
gptkb:The_Large_Glass
|
| gptkbp:style |
gptkb:artwork
|
| gptkbp:symbolism |
Bride and bachelors
The bachelors The bride |
| gptkbp:technique |
Readymade
|
| gptkbp:themes |
Sexuality
Gender roles The passage of time The absurd Reality vs illusion The nature of art Desire and frustration |
| gptkbp:year_created |
1915
|