|
gptkbp:instance_of
|
gptkb:art_movement
|
|
gptkbp:associated_with
|
gptkb:conceptual_art
surrealism
avant-garde art
anti-art
|
|
gptkbp:created_by
|
gptkb:Marcel_Duchamp
|
|
gptkbp:declined_in
|
traditional aesthetics
|
|
gptkbp:emphasizes
|
the artist's intent
|
|
gptkbp:exhibited_at
|
gptkb:The_Armory_Show
|
|
gptkbp:first_introduced
|
1913
|
|
gptkbp:function
|
the role of the artist
|
|
gptkbp:highlights
|
the role of context in art
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Duchamp's readymades
|
|
gptkbp:included
|
gptkb:In_Advance_of_the_Broken_Arm
gptkb:The_Bride_Stripped_Bare_by_Her_Bachelors,_Even_(The_Large_Glass)
gptkb:The_Chocolate_Grinder
gptkb:The_Fountain_(1917)
gptkb:The_L._H._O._O._Q._postcard
gptkb:Why_Not_Sneeze,_Rrose_Sélavy?
gptkb:Apollo
gptkb:L._H._O._O._Q.
gptkb:The_Bride_Stripped_Bare_by_Her_Bachelors,_Even
gptkb:The_Large_Glass
|
|
gptkbp:influenced
|
gptkb:contemporary_art
gptkb:performance_art
gptkb:Fluxus_movement
installation artists
artistic movements of the 20th century
|
|
gptkbp:influenced_by
|
gptkb:Dadaism
|
|
gptkbp:inspired
|
postmodern art
conceptual installations
|
|
gptkbp:is_challenged_by
|
traditional notions of art
the viewer's perception
the definition of originality
|
|
gptkbp:is_critiqued_by
|
the art market
|
|
gptkbp:is_examined_in
|
the role of the audience
the nature of creativity
the relationship between art and life
the boundaries of art
|
|
gptkbp:is_explored_in
|
the concept of authorship
the absurd in art
|
|
gptkbp:led_to
|
the use of everyday objects in art
the concept of the 'ready-made'
the questioning of artistic merit
the rise of conceptualism
the rise of installation art
|
|
gptkbp:notable_examples
|
gptkb:Bicycle_Wheel
gptkb:fountain
Bottle Rack
|
|
gptkbp:provoked
|
artistic innovation
|
|
gptkbp:related_vehicle
|
modern art movements
|
|
gptkbp:sparked
|
debate on art definition
|
|
gptkbp:utilizes
|
found objects
|
|
gptkbp:visitors
|
the value of craftsmanship
|
|
gptkbp:bfsParent
|
gptkb:Neo-Dada_movement
|
|
gptkbp:bfsLayer
|
5
|