gptkbp:instance_of
|
gptkb:film
|
gptkbp:awards
|
gptkb:none
|
gptkbp:based_on
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Dr. Mabuse character
|
gptkbp:box_office
|
successful
|
gptkbp:cinematography
|
gptkb:Karl_Freund
|
gptkbp:color
|
black and white
|
gptkbp:country
|
gptkb:government_agency
|
gptkbp:critical_reception
|
positive
|
gptkbp:cultural_impact
|
influential in cinema
|
gptkbp:director
|
gptkb:Fritz_Lang
|
gptkbp:distributor
|
gptkb:UFA
|
gptkbp:editor
|
gptkb:Paul_Falkenberg
|
gptkbp:famous_quote
|
" The world is a stage, and I am the master of the play."
|
gptkbp:film_festival
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gptkb:Berlin_International_Film_Festival
|
gptkbp:film_score
|
gptkb:musical_composition
|
gptkbp:film_series
|
gptkb:Dr._Mabuse
|
gptkbp:filmography
|
gptkb:Paul_Falkenberg
|
gptkbp:genre
|
gptkb:Police_Department
|
gptkbp:has_cameo
|
gptkb:Fritz_Lang
|
gptkbp:home_media_release
|
DVD and Blu-ray
|
gptkbp:influenced
|
film noir
modern thrillers
|
gptkbp:influenced_by
|
gptkb:German_Expressionism
silent film techniques
|
gptkbp:inspiration
|
inspired by real criminal cases
|
gptkbp:language
|
gptkb:Native_American_tribe
|
gptkbp:legacy
|
cult classic
|
gptkbp:music
|
gptkb:Gottfried_Huppertz
|
gptkbp:notable_appearance
|
the final confrontation
the escape scene
the masquerade ball
the reveal of Dr. Mabuse
|
gptkbp:notable_character
|
gptkb:Grete_Mosheim
gptkb:Willy_Fritsch
gptkb:Rudolf_Klein-Rogge
gptkb:Theodor_Loos
|
gptkbp:predecessor
|
gptkb:Dr._Mabuse:_The_Gambler
|
gptkbp:production_company
|
gptkb:UFA
|
gptkbp:release_date
|
1933-10-20
|
gptkbp:release_year
|
1933
|
gptkbp:remake
|
gptkb:The_Last_Will_of_Dr._Mabuse
|
gptkbp:restoration
|
restored in 2000s
|
gptkbp:runtime
|
100 minutes
|
gptkbp:screenplay_by
|
gptkb:Thea_E._M._von_Harbou
|
gptkbp:setting
|
gptkb:Weimar_Republic
|
gptkbp:successor
|
gptkb:The_Testament_of_Dr._Mabuse
|
gptkbp:themes
|
gptkb:TV_series
madness
power and control
crime and punishment
|
gptkbp:bfsParent
|
gptkb:Dr._Mabuse
|
gptkbp:bfsLayer
|
6
|