Statements (57)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
novel
|
| gptkbp:adaptation |
films
theater plays ballets |
| gptkbp:adaptedInto |
animated series
video games musicals graphic novels operas radio dramas |
| gptkbp:author |
gptkb:Miguel_de_Cervantes
|
| gptkbp:character |
Don Quixote de la Mancha
|
| gptkbp:critical_reception |
widely acclaimed
considered a classic subject of extensive literary analysis |
| gptkbp:cultural_impact |
inspired numerous works of art
influenced modern novels recognized as one of the first modern novels |
| gptkbp:cultural_significance |
a reflection of human nature
a symbol of literary achievement a_critique_of_society |
| gptkbp:description |
complex characters
|
| gptkbp:features |
Sancho Panza
|
| gptkbp:follows |
adventures of a nobleman
|
| gptkbp:genre |
satirical novel
|
| https://www.w3.org/2000/01/rdf-schema#label |
Don Quixote
|
| gptkbp:influenced |
Western literature
psychology magical realism philosophy postmodern literature surrealism artistic movements |
| gptkbp:language |
gptkb:Spanish
|
| gptkbp:narrativeStyle |
metafiction
picaresque |
| gptkbp:notableEvent |
the encounter with the lion
tilting at windmills the_adventure_of_the_enchanted_Dulcinea the_battle_with_the_Biscayan the_wedding_of_Camacho |
| gptkbp:notableFeature |
gptkb:Dulcinea_del_Toboso
Rocinante the priest the Duke and Duchess the barber |
| gptkbp:notableQuote |
“The truth may be stretched, but cannot be broken, and always surfaces above lies, as oil does above water.”
|
| gptkbp:partOf |
Second Part of Don Quixote
Don Quixote de la Mancha |
| gptkbp:publishedBy |
1605
two parts |
| gptkbp:setting |
gptkb:Spain
|
| gptkbp:symbolizes |
the quest for identity
the struggle against reality |
| gptkbp:theme |
chivalry
idealism reality vs. illusion |