|
gptkbp:instance_of
|
gptkb:play
|
|
gptkbp:adaptation
|
gptkb:film_adaptation
|
|
gptkbp:adapted_into
|
gptkb:radio_station
|
|
gptkbp:author
|
gptkb:George_Bernard_Shaw
|
|
gptkbp:based_on
|
gptkb:Don_Juan
|
|
gptkbp:character
|
gptkb:The_Woman
gptkb:Don_Juan's_Mother
gptkb:The_Devil
The Statue
|
|
gptkbp:conflict
|
Existentialism vs Hedonism
|
|
gptkbp:critical_reception
|
Mixed reviews
|
|
gptkbp:cultural_impact
|
Influenced discussions on morality
|
|
gptkbp:first_performance
|
gptkb:1920
|
|
gptkbp:genre
|
philosophical drama
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Don Juan in Hell
|
|
gptkbp:influenced
|
Modern theatre
|
|
gptkbp:influenced_by
|
gptkb:Romanticism
|
|
gptkbp:inspiration
|
gptkb:Mozart's_Don_Giovanni
|
|
gptkbp:language
|
English
|
|
gptkbp:length
|
One act
|
|
gptkbp:main_character
|
gptkb:Don_Juan
|
|
gptkbp:notable_production
|
gptkb:Royal_National_Theatre
|
|
gptkbp:notable_quote
|
" The Devil is the only one who can make a man happy."
|
|
gptkbp:part_of
|
gptkb:The_Don_Juan_Trilogy
|
|
gptkbp:performance
|
Revived multiple times
|
|
gptkbp:premiere_date
|
1920-01-01
|
|
gptkbp:premiere_location
|
gptkb:New_York_City
|
|
gptkbp:published_in
|
gptkb:Collected_Works_of_George_Bernard_Shaw
|
|
gptkbp:related_to
|
gptkb:Cultural_impact
gptkb:Theatre_of_the_Absurd
gptkb:philosophy
Cultural studies
Literary criticism
Philosophical literature
Romantic literature
Theatrical performances
Cultural references
Artistic expression
Moral philosophy
Philosophical debates
Philosophical inquiry
Dramatic literature
Literary themes
Literary adaptations
Existential philosophy
Theatrical techniques
Theatre history
Theatrical criticism
Character analysis
Character studies
Cinematic adaptations
|
|
gptkbp:setting
|
gptkb:Hell
|
|
gptkbp:style
|
Satirical
|
|
gptkbp:theme
|
philosophy of life
|
|
gptkbp:bfsParent
|
gptkb:Don_Juan
|
|
gptkbp:bfsLayer
|
5
|