Don Giovanni (opera by Mozart)

GPTKB entity

Statements (50)
Predicate Object
gptkbp:instanceOf gptkb:opera
gptkbp:action 2
gptkbp:basedOn Don Juan legend
gptkbp:catalogueAria gptkb:Madamina,_il_catalogo_è_questo
gptkbp:composer gptkb:Wolfgang_Amadeus_Mozart
gptkbp:followedBy gptkb:Così_fan_tutte
gptkbp:genre dramma giocoso
https://www.w3.org/2000/01/rdf-schema#label Don Giovanni (opera by Mozart)
gptkbp:KöchelNumber gptkb:K._527
gptkbp:language gptkb:Italian
gptkbp:librettist gptkb:Lorenzo_Da_Ponte
gptkbp:mainCharacter gptkb:Don_Giovanni
gptkb:Commendatore
gptkb:Don_Ottavio
gptkb:Donna_Anna
gptkb:Donna_Elvira
gptkb:Leporello
gptkb:Masetto
gptkb:Zerlina
gptkbp:notableAria gptkb:Non_mi_dir
gptkb:Dalla_sua_pace
gptkb:Deh_vieni_alla_finestra
gptkb:Fin_ch'han_dal_vino
gptkb:Il_mio_tesoro
gptkb:Là_ci_darem_la_mano
gptkb:Batti,_batti,_o_bel_Masetto
gptkbp:notableFeature features a dramatic finale with supernatural intervention
mix of comedy, melodrama, and supernatural elements
contains both recitative and aria forms
frequent subject of scholarly analysis
influenced later Romantic opera
libretto based on Spanish legend of Don Juan
one of the greatest operas ever composed
Don Giovanni is dragged to hell by the Commendatore's statue
gptkbp:notableOrganization Finale of Act II
gptkbp:notableProduction gptkb:Joseph_Losey_film_(1979)
gptkbp:notableQuote This is the end that befits evildoers: the death of a sinner always reflects his life.
gptkbp:notableRecording 1959 recording by Carlo Maria Giulini
1977 recording by Herbert von Karajan
1990 recording by Riccardo Muti
gptkbp:overture gptkb:Don_Giovanni_Overture
gptkbp:precededBy gptkb:Le_nozze_di_Figaro
gptkbp:premiereDate 1787-10-29
gptkbp:premiereLocation gptkb:Estates_Theatre,_Prague
gptkbp:setIn gptkb:Seville,_Spain
gptkbp:UNESCOWorldHeritageSite gptkb:Don_Giovanni_autograph_score
gptkbp:yearComposed 1787
gptkbp:bfsParent gptkb:Killing_Commendatore
gptkb:1979_Joseph_Losey_film
gptkbp:bfsLayer 6