Statements (59)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:art_exhibition
|
| gptkbp:art_movement |
gptkb:Modernism
gptkb:Postmodernism |
| gptkbp:art_style |
Emphasis on social and political themes
|
| gptkbp:artistic_exploration |
Explored themes of identity and culture
Encouraged experimental art forms |
| gptkbp:artistic_expression |
Showcased various forms of artistic expression
|
| gptkbp:artistic_influence |
Helped launch careers of several artists
|
| gptkbp:artistic_innovation |
Promoted innovative approaches to art making
|
| gptkbp:artistic_legacy |
Left a lasting legacy in the art world.
Continues to influence contemporary art today |
| gptkbp:artistic_vision |
Represented a wide range of artistic voices
|
| gptkbp:artwork |
The Pack by Joseph Beuys
Infinity Nets by Yayoi Kusama Bed by Robert Rauschenberg Giant BLT by Claes Oldenburg |
| gptkbp:attendance |
Approximately 300,000 visitors
|
| gptkbp:closing_date |
October 4, 1964
|
| gptkbp:collaboration |
Various international artists
Fostered collaborations between artists and institutions |
| gptkbp:collaborative_projects |
Featured collaborative art projects
|
| gptkbp:community_engagement |
Engaged local communities in art
|
| gptkbp:community_programs |
Organized public discussions and lectures
|
| gptkbp:critical_reception |
Mixed reviews from critics
|
| gptkbp:cultural_diversity |
Showcased diverse artistic practices
|
| gptkbp:cultural_exchange |
Promoted cultural exchange among artists
|
| gptkbp:cultural_impact |
Promoted avant-garde art
|
| gptkbp:cultural_significance |
Significant in the context of 1960s art movements
|
| gptkbp:curator |
International focus
|
| gptkbp:duration |
100 days
|
| gptkbp:educational_programs |
Included educational initiatives
|
| gptkbp:exhibition |
gptkb:Annual
Published exhibition catalogue Innovative exhibition design strategies |
| gptkbp:exhibition_space |
gptkb:Fridericianum
gptkb:orange gptkb:Documenta_Halle |
| gptkbp:founder |
gptkb:Arnold_Bode
|
| gptkbp:historical_context |
Post-World War II art scene
|
| https://www.w3.org/2000/01/rdf-schema#label |
Documenta III
|
| gptkbp:influence |
Influenced future biennials and exhibitions
|
| gptkbp:is_critiqued_by |
Critiqued societal norms through art
|
| gptkbp:legacy |
Set a precedent for future Documenta exhibitions
|
| gptkbp:location |
gptkb:Kassel,_Germany
|
| gptkbp:media_coverage |
Extensive international media coverage
|
| gptkbp:narrative |
Facilitated dialogue between artists and audiences
|
| gptkbp:notable_artist |
gptkb:Joseph_Beuys
gptkb:Yayoi_Kusama gptkb:Robert_Rauschenberg gptkb:Claes_Oldenburg |
| gptkbp:opening_date |
June 27, 1964
|
| gptkbp:performers |
Over 100
|
| gptkbp:predecessor |
gptkb:Documenta_II
|
| gptkbp:significance |
Influential in contemporary art discourse
|
| gptkbp:successor |
Documenta IV
|
| gptkbp:theme |
Contemporary art
|
| gptkbp:year |
gptkb:1964
|
| gptkbp:bfsParent |
gptkb:Documenta_II
|
| gptkbp:bfsLayer |
6
|