gptkbp:instance_of
|
gptkb:film
|
gptkbp:art_style
|
Poetic realism
|
gptkbp:audience
|
Positive reviews
|
gptkbp:based_on
|
Davies' childhood experiences
|
gptkbp:box_office
|
gptkb:N/_A
|
gptkbp:character_development
|
Richly developed characters
|
gptkbp:cinematography
|
gptkb:Michael_Coulter
|
gptkbp:color
|
gptkb:Color
|
gptkbp:costume_design
|
gptkb:N/_A
|
gptkbp:country
|
gptkb:United_Kingdom
|
gptkbp:critical_reception
|
Highly acclaimed
|
gptkbp:cultural_impact
|
Influential in British cinema
|
gptkbp:design
|
gptkb:Graham_Smith
|
gptkbp:director
|
gptkb:Terence_Davies
|
gptkbp:distributor
|
Artificial Eye
|
gptkbp:editor
|
gptkb:David_Charap
|
gptkbp:film_score
|
gptkb:N/_A
|
gptkbp:film_series
|
gptkb:N/_A
|
gptkbp:film_technique
|
Symbolic imagery
Cinematographic style
Use of music and sound
|
gptkbp:filming_location
|
gptkb:Liverpool
|
gptkbp:focus
|
Family dynamics
Childhood memories
Parental relationships
|
gptkbp:follows
|
gptkb:The_Long_Day_Closes
|
gptkbp:genre
|
gptkb:drama
|
gptkbp:home_media_release
|
DVD and Blu-ray
|
https://www.w3.org/2000/01/rdf-schema#label
|
Distant Voices, Still Lives
|
gptkbp:influences
|
gptkb:Italian_Neorealism
gptkb:French_New_Wave
gptkb:British_Social_Realism
|
gptkbp:inspiration
|
Terence Davies' own life
|
gptkbp:language
|
English
|
gptkbp:legacy
|
Cult classic
|
gptkbp:music
|
gptkb:Peter_D._Smith
|
gptkbp:narrative_style
|
Non-linear
|
gptkbp:notable_awards
|
gptkb:BAFTA_Award_for_Best_Film
Nominated for the Palme d' Or
|
gptkbp:production_company
|
gptkb:BBC_Films
|
gptkbp:release_date
|
1988-09-09
|
gptkbp:release_format
|
Theatrical release
|
gptkbp:release_year
|
gptkb:1988
|
gptkbp:runtime
|
85 minutes
|
gptkbp:screenings
|
gptkb:Film_festivals
|
gptkbp:screenplay
|
gptkb:Terence_Davies
|
gptkbp:setting
|
gptkb:Liverpool
|
gptkbp:soundtrack
|
gptkb:N/_A
|
gptkbp:themes
|
gptkb:Memory
gptkb:family
Working-class life
|
gptkbp:bfsParent
|
gptkb:Terence_Davies
|
gptkbp:bfsLayer
|
6
|