gptkbp:instance_of
|
gptkb:attraction
gptkb:album
|
gptkbp:bfsLayer
|
3
|
gptkbp:bfsParent
|
gptkb:ballet
gptkb:Janelle_Monáe
|
gptkbp:album
|
gptkb:Janelle_Monáe
gptkb:theorem
|
gptkbp:artist
|
gptkb:Grimes
gptkb:Janelle_Monáe
gptkb:Zoe_Kravitz
gptkb:Brian_Wilson
Vibrant colors
Symbolic imagery
Futuristic aesthetics
|
gptkbp:awards
|
gptkb:award
gptkb:Best_Music_Video
Best Urban Contemporary Album
|
gptkbp:box_office
|
gptkb:CEO
|
gptkbp:chart_performance
|
gptkb:Billboard_200
gptkb:UK_Albums_Chart
Canadian Albums Chart
Australian Albums Chart
Billboard 200 peak at #6
Canadian Albums Chart peak at #5
Top R& B/ Hip-Hop Albums peak at #1
UK Albums Chart peak at #8
Billboard Top R& B Albums
|
gptkbp:chart_position
|
#1 on Billboard 200
#1 on Top R& B Albums
|
gptkbp:collaborations
|
gptkb:Grimes
gptkb:H._E._Pharrell_Williams
gptkb:Zoe_Kravitz
gptkb:Brian_Wilson
|
gptkbp:created_by
|
gptkb:Janelle_Monáe
|
gptkbp:critical_reception
|
Positive reviews
generally positive
generally favorable reviews
|
gptkbp:distribution
|
gptkb:Atlantic_Records
|
gptkbp:features
|
Themes of identity
Themes of freedom
Themes of sexuality
Themes of race
|
gptkbp:followed_by
|
gptkb:The_Age_of_Pleasure
|
gptkbp:genre
|
gptkb:Author
pop
funk
R& B
|
gptkbp:has_cameo
|
gptkb:Grimes
gptkb:Janelle_Monáe
gptkb:Zoe_Kravitz
gptkb:Tessa_Thompson
|
https://www.w3.org/2000/01/rdf-schema#label
|
Dirty Computer
|
gptkbp:influenced_artists
|
gptkb:Beyonce
gptkb:FKA_Twigs
gptkb:Solange
gptkb:Sufjan_Stevens
gptkb:Frank_Ocean
|
gptkbp:influenced_by
|
gptkb:Afrofuturism
|
gptkbp:influences
|
gptkb:George_Clinton
gptkb:Out_Kast
gptkb:David_Bowie
gptkb:Monarch
|
gptkbp:label
|
gptkb:Atlantic_Records
gptkb:Bad_Boy_Records
|
gptkbp:language
|
English
|
gptkbp:length
|
49:00
48:01
48:32
|
gptkbp:music_by
|
gptkb:Janelle_Monáe
|
gptkbp:music_video
|
gptkb:Native_American_tribe
I Like That
Make Me Feel
Pynk
Django Jane
Crazy, Classic, Life
|
gptkbp:narrative_style
|
Non-linear
A dystopian future
A journey of self-discovery
Exploration of love
Exploration of community
A fight for freedom
|
gptkbp:next_edition
|
gptkb:theorem
|
gptkbp:notable_song
|
I Like That
Make Me Feel
Pynk
Django Jane
|
gptkbp:notable_tracks
|
gptkb:Native_American_tribe
I Like That
Make Me Feel
Pynk
Django Jane
|
gptkbp:preceded_by
|
gptkb:The_Electric_Lady
|
gptkbp:premiered_on
|
gptkb:The_2018_Dirty_Computer_Tour
|
gptkbp:producer
|
gptkb:Janelle_Monáe
gptkb:Nate_Wonder
gptkb:Roman_Gian_Arthur
Chuck Lightning
|
gptkbp:rating
|
85
|
gptkbp:recording_location
|
gptkb:The_Village_Studios
gptkb:Electric_Lady_Studios
The Sound Factory
|
gptkbp:release_date
|
April 27, 2018
2018-04-27
April 26, 2018
|
gptkbp:release_year
|
gptkb:2018
|
gptkbp:runtime
|
48 minutes
|
gptkbp:sales
|
24,000 copies
|
gptkbp:themes
|
gptkb:TV_series
gptkb:philosopher
gptkb:species
gptkb:technology
gptkb:organization
Surveillance
empowerment
Resistance against oppression
sexuality
Personal autonomy
Technology's impact on society
|
gptkbp:track
|
gptkb:Native_American_tribe
gptkb:Django_Jane_(Live)
gptkb:Pynk_(Live)
gptkb:Screwed
I Got the Juice
I Like That (Live)
Make Me Feel (Live)
So Afraid
|
gptkbp:track_count
|
gptkb:14
|