Statements (30)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
gptkb:film
|
| gptkbp:aimsTo |
objective reality
|
| gptkbp:contrastsWith |
traditional documentary
|
| gptkbp:emergedIn |
late 1950s
early 1960s |
| gptkbp:emphasizes |
minimal filmmaker intervention
|
| gptkbp:focusesOn |
observational filmmaking
|
| gptkbp:influencedBy |
technological advances in film equipment
|
| gptkbp:language |
gptkb:French
English |
| gptkbp:notableFor |
gptkb:Albert_Maysles
gptkb:D._A._Pennebaker gptkb:Richard_Leacock gptkb:Frederic_Wiseman gptkb:David_Maysles |
| gptkbp:notableWork |
gptkb:Titicut_Follies
gptkb:Gimme_Shelter gptkb:Salesman Primary |
| gptkbp:originatedIn |
gptkb:Canada
gptkb:United_States |
| gptkbp:relatedTo |
gptkb:cinéma_vérité
|
| gptkbp:uses |
portable equipment
synchronous sound |
| gptkbp:bfsParent |
gptkb:David_Maysles
gptkb:Donn_Alan_Pennebaker gptkb:Frederick_Wiseman gptkb:D.A._Pennebaker |
| gptkbp:bfsLayer |
6
|
| https://www.w3.org/2000/01/rdf-schema#label |
Direct cinema
|