|
gptkbp:instanceOf
|
gptkb:film
|
|
gptkbp:characterizedBy
|
handheld camera work
minimal filmmaker intervention
observational filmmaking
synchronous sound recording
|
|
gptkbp:contrastsWith
|
traditional documentary narration
|
|
gptkbp:emergedIn
|
late 1950s
early 1960s
|
|
gptkbp:focusesOn
|
real-life situations
unobtrusive observation
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Direct Cinema movement
|
|
gptkbp:influenced
|
modern documentary filmmaking
|
|
gptkbp:influencedBy
|
technological advances in portable cameras
portable sound equipment
|
|
gptkbp:notableFor
|
gptkb:Albert_Maysles
gptkb:Canada
gptkb:D._A._Pennebaker
gptkb:Richard_Leacock
gptkb:Robert_Drew
gptkb:United_States
gptkb:Frederic_Wiseman
gptkb:David_Maysles
gptkb:Michel_Brault
gptkb:Pierre_Perrault
|
|
gptkbp:notableWork
|
gptkb:Gimme_Shelter_(1970_film)
gptkb:Primary_(1960_film)
gptkb:Salesman_(1969_film)
gptkb:Titicut_Follies_(1967_film)
|
|
gptkbp:originatedIn
|
gptkb:North_America
|
|
gptkbp:relatedTo
|
gptkb:Cinéma_vérité
|
|
gptkbp:bfsParent
|
gptkb:Drew_Associates
|
|
gptkbp:bfsLayer
|
6
|