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gptkbp:instance_of
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gptkb:operetta
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gptkbp:adaptations
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gptkb:film_adaptations
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gptkbp:character_relationships
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gptkb:friendship
family ties
romantic entanglement
|
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gptkbp:choreography
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gptkb:Martha_Graham
gptkb:Rudolf_Nureyev
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gptkbp:composer
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gptkb:Emmerich_Kálmán
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gptkbp:cultural_impact
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popular in operetta repertoire
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gptkbp:cultural_references
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in literature
in popular media
in film
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gptkbp:cultural_significance
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celebration of circus culture
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gptkbp:director
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gptkb:Max_Reinhardt
gptkb:Franz_Lehár
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gptkbp:famous_person
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gptkb:Princess_Fedora
Circus director
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gptkbp:genre
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gptkb:musical_theatre
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gptkbp:historical_context
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1920s Europe
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https://www.w3.org/2000/01/rdf-schema#label
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Die Zirkusprinzessin
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gptkbp:influenced
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musical theatre composers
later operettas
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gptkbp:influenced_by
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Viennese operetta tradition
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gptkbp:inspiration
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circus life
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gptkbp:language
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gptkb:German
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gptkbp:librettist
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gptkb:Leo_Stein
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gptkbp:music_style
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gptkb:humor
romance
spectacle
dance rhythms
light-hearted melodies
lyrical tunes
|
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gptkbp:notable_aria
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" Die Nacht ist nicht allein zum Schlafen da"
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gptkbp:notable_performance
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gptkb:Vienna_State_Opera
gptkb:Budapest_Operetta_Theatre
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gptkbp:notable_production
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international tours
revivals in the 21st century
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gptkbp:notable_song
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" Die Welt ist voller Rätsel"
" Ich bin die fesche Lola"
" Komm mit nach Varasdin"
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gptkbp:original_language
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Hungarian
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gptkbp:performance_venue
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gptkb:Theater_an_der_Wien
gptkb:Theater_des_Westens
|
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gptkbp:premiere
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1926
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gptkbp:recordings
|
multiple recordings available
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gptkbp:setting
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gptkb:circus
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gptkbp:style
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gptkb:Romanticism
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gptkbp:thematic_element
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gptkb:adventure
gptkb:identity
love
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gptkbp:bfsParent
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gptkb:Emmerich_Kálmán
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gptkbp:bfsLayer
|
5
|