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gptkbp:instance_of
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gptkb:novel
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gptkbp:bfsLayer
|
6
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gptkbp:bfsParent
|
gptkb:Ullstein_Verlag
|
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gptkbp:adaptation
|
gptkb:television_series
gptkb:theatre
gptkb:film
|
|
gptkbp:antagonist
|
gptkb:Gmork
|
|
gptkbp:author
|
gptkb:Michael_Ende
|
|
gptkbp:critical_reception
|
widely acclaimed
|
|
gptkbp:cultural_impact
|
inspired video games
inspired merchandise
inspired animated series
inspired a musical adaptation
|
|
gptkbp:cultural_significance
|
taught in schools
considered a classic
inspired academic studies
translated into many languages
influenced adaptations in various media
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|
gptkbp:director
|
gptkb:Wolfgang_Petersen
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gptkbp:genre
|
gptkb:Magic:_The_Gathering_set
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|
https://www.w3.org/2000/01/rdf-schema#label
|
Die Unendliche Geschichte
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gptkbp:illustrator
|
gptkb:Rolf_Krenzer
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gptkbp:influenced
|
gptkb:book
gptkb:novel
video game storytelling
film adaptations of fantasy novels
the concept of interactive storytelling
|
|
gptkbp:influenced_by
|
gptkb:German_Romanticism
|
|
gptkbp:main_character
|
gptkb:Bastian_Balthazar_Bux
gptkb:Atreyu
|
|
gptkbp:narrative_style
|
third-person
frame story
|
|
gptkbp:notable_quote
|
“ The only thing that has real meaning is the story.”
|
|
gptkbp:official_language
|
gptkb:Native_American_tribe
|
|
gptkbp:published_year
|
gptkb:1979
|
|
gptkbp:publisher
|
gptkb:Thienemann_Verlag
|
|
gptkbp:release_year
|
gptkb:1984
|
|
gptkbp:sequel
|
Die Unendliche Geschichte II
|
|
gptkbp:setting
|
Fantastica
|
|
gptkbp:symbolism
|
gptkb:the_Childlike_Empress
the Nothing
the Auryn
|
|
gptkbp:theme
|
imagination
self-discovery
|
|
gptkbp:translated_into
|
English
|