Properties (48)
Predicate | Object |
---|---|
gptkbp:instanceOf |
novel
|
gptkbp:adaptation |
theatrical performances
film adaptations ballet adaptations radio adaptations opera adaptations graphic novel adaptations |
gptkbp:artMovement |
Romanticism
stream of consciousness |
gptkbp:author |
gptkb:Nikolai_Gogol
|
gptkbp:characterDevelopment |
Aksenty's_descent_into_madness
|
gptkbp:conflict |
internal conflict
|
gptkbp:criticalReception |
widely acclaimed
|
gptkbp:culturalImpact |
inspired psychological studies
|
gptkbp:genre |
satire
|
gptkbp:historicalContext |
19th century Russia
|
https://www.w3.org/2000/01/rdf-schema#label |
Diary of a Madman
|
gptkbp:influence |
existential literature
|
gptkbp:influenced |
gptkb:Franz_Kafka
gptkb:Fyodor_Dostoevsky |
gptkbp:influencedBy |
European_Romantic_writers
|
gptkbp:language |
Russian
|
gptkbp:mainCharacter |
gptkb:Aksenty_Ivanovich_Poprishchin
|
gptkbp:motif |
identity
isolation social status |
gptkbp:narrativeStyle |
first-person
unreliable narrator |
gptkbp:notableFeature |
alienation
the search for meaning the absurdity of life desire for recognition delusion |
gptkbp:notableQuote |
“I am a madman, and I am proud of it.”
|
gptkbp:publishedIn |
1835
The Contemporary Chronicle |
gptkbp:relatedPatent |
Dead Souls
The Nose |
gptkbp:setting |
gptkb:Saint_Petersburg
|
gptkbp:symbolism |
letters
dogs madness |
gptkbp:theme |
madness
|
gptkbp:translatedInto |
multiple languages
|
gptkbp:visitors |
subjective
|
gptkbp:wrote |
examines class structure
critiques societal norms explores bureaucracy |