gptkbp:instance_of
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gptkb:album
gptkb:novel
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gptkbp:adaptation
|
gptkb:ballet
gptkb:opera
gptkb:theater
gptkb:film
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gptkbp:adaptation_year
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gptkb:1963
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gptkbp:artist
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gptkb:Ozzy_Osbourne
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gptkbp:associated_artist
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gptkb:Ozzy_Osbourne_Band
gptkb:Don_Airey
gptkb:Randy_Rhoads
gptkb:Black_Sabbath
gptkb:Bob_Daisley
gptkb:Lee_Kerslake
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gptkbp:author
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gptkb:Nikolai_Gogol
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gptkbp:awards
|
Grammy Award nomination for Best Metal Performance
|
gptkbp:cast
|
gptkb:Oleg_Yankovsky
gptkb:Andrei_Konchalovsky
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gptkbp:certification
|
2× Platinum by RIAA
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gptkbp:character_development
|
explores identity crisis
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gptkbp:character_relationships
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unrequited love
mental illness
social alienation
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gptkbp:chart_position
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#14 on Billboard 200
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gptkbp:cover_art
|
Diary of a Madman cover art
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gptkbp:critical_reception
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widely acclaimed
|
gptkbp:cultural_impact
|
inspired psychological studies
Considered a classic in heavy metal music.
|
gptkbp:cultural_references
|
Russian literature
19th-century Russian society
identity exploration
satirical literature
social critique
existential themes
personal vs. societal expectations
psychological fiction
bureaucratic absurdity
individualism vs. conformity
madness as a theme
|
gptkbp:followed_by
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gptkb:Bark_at_the_Moon
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gptkbp:genre
|
gptkb:satire
Heavy metal
|
https://www.w3.org/2000/01/rdf-schema#label
|
Diary of a Madman
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gptkbp:influence
|
existential literature
|
gptkbp:influence_on
|
gptkb:Kafka
gptkb:Dostoevsky
|
gptkbp:influenced
|
Numerous heavy metal bands
|
gptkbp:influenced_by
|
Glam rock
Progressive rock
Psychedelic rock
Rock music
Heavy Metal genre
|
gptkbp:influences
|
gptkb:Alice_Cooper
gptkb:Deep_Purple
gptkb:Led_Zeppelin
gptkb:Judas_Priest
gptkb:Black_Sabbath
|
gptkbp:inspiration
|
Gogol's own experiences
|
gptkbp:label
|
gptkb:Jet_Records
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gptkbp:language
|
gptkb:Russian
English
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gptkbp:length
|
42:25
|
gptkbp:literary_movement
|
gptkb:Romanticism
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gptkbp:main_character
|
gptkb:Aksenty_Ivanovich_Poprishchin
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gptkbp:motif
|
gptkb:letters
|
gptkbp:narrative_style
|
first-person
stream of consciousness
unreliable narrator
|
gptkbp:notable_collaborators
|
gptkb:Don_Airey
gptkb:Randy_Rhoads
gptkb:Max_Norman
gptkb:Bob_Daisley
gptkb:Lee_Kerslake
|
gptkbp:notable_quote
|
" I am a madman!"
|
gptkbp:notable_tracks
|
gptkb:The_Ultimate_Sin
gptkb:Tonight
gptkb:Believer
Flying High Again
Over the Mountain
Little Dolls
S. A. T. O.
|
gptkbp:part_of
|
gptkb:The_Overcoat_and_Other_Tales_of_Good_and_Evil
|
gptkbp:preceded_by
|
gptkb:Blizzard_of_Ozz
|
gptkbp:producer
|
gptkb:Max_Norman
|
gptkbp:published
|
1835
|
gptkbp:published_in
|
gptkb:Russian_Messenger
|
gptkbp:recording_location
|
gptkb:The_Village_Recorder
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gptkbp:release_date
|
1981-11-07
|
gptkbp:release_type
|
gptkb:album
|
gptkbp:remastered
|
2011 remaster
2002 remaster
|
gptkbp:setting
|
gptkb:Saint_Petersburg
|
gptkbp:style
|
gptkb:absurdism
|
gptkbp:symbolism
|
dogs represent social status
|
gptkbp:theme
|
madness
|
gptkbp:translated_into
|
gptkb:French
gptkb:German
English
|
gptkbp:year
|
gptkb:1981
|
gptkbp:bfsParent
|
gptkb:Ozzy_Osbourne
|
gptkbp:bfsLayer
|
4
|