|
gptkbp:instance_of
|
gptkb:novel
|
|
gptkbp:adaptation
|
gptkb:graphic_novel
gptkb:theater
gptkb:film
|
|
gptkbp:author
|
gptkb:Octave_Mirbeau
|
|
gptkbp:character_development
|
Célestine's evolution
|
|
gptkbp:conflict
|
personal vs societal expectations
|
|
gptkbp:critical_reception
|
mixed
|
|
gptkbp:cultural_impact
|
inspired discussions on social issues
|
|
gptkbp:director
|
gptkb:Luis_Buñuel
gptkb:David_Mamet
|
|
gptkbp:genre
|
literary fiction
|
|
gptkbp:graphic_novel_adaptation_artist
|
gptkb:Katherine_Dunn
|
|
gptkbp:graphics
|
gptkb:2015
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Diary of a Chambermaid
|
|
gptkbp:influence
|
gptkb:French_literature
|
|
gptkbp:influenced
|
subsequent literature on class and gender.
|
|
gptkbp:influenced_by
|
gptkb:Emile_Zola
gptkb:Gustave_Flaubert
|
|
gptkbp:inspiration
|
real-life experiences of chambermaids
|
|
gptkbp:literary_movement
|
Naturalism
|
|
gptkbp:main_character
|
gptkb:Célestine
|
|
gptkbp:motif
|
gptkb:deception
power dynamics
servitude
sexuality
|
|
gptkbp:narrative_style
|
first-person
|
|
gptkbp:notable_quote
|
" The world is a stage, and we are all actors."
|
|
gptkbp:notable_themes
|
gptkb:existentialism
gptkb:identity
gptkb:feminism
morality
hypocrisy of the bourgeoisie
|
|
gptkbp:original_language
|
gptkb:French
|
|
gptkbp:published_year
|
1900
|
|
gptkbp:release_year
|
gptkb:1964
gptkb:2010
|
|
gptkbp:setting
|
gptkb:France
|
|
gptkbp:style
|
satirical
|
|
gptkbp:symbolism
|
the chambermaid's role
|
|
gptkbp:theme
|
class struggle
sexual politics
|
|
gptkbp:translated_into
|
gptkb:Spanish
gptkb:German
English
|
|
gptkbp:bfsParent
|
gptkb:Luis_Buñuel
|
|
gptkbp:bfsLayer
|
4
|