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gptkbp:instance_of
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gptkb:novel
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gptkbp:bfsLayer
|
3
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gptkbp:bfsParent
|
gptkb:Luis_Buñuel
|
|
gptkbp:adaptation
|
gptkb:theatre
gptkb:graphic_novel
gptkb:film
|
|
gptkbp:art_movement
|
Naturalism
|
|
gptkbp:artist
|
gptkb:Katherine_Dunn
|
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gptkbp:author
|
gptkb:Octave_Mirbeau
|
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gptkbp:character_development
|
Célestine's evolution
|
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gptkbp:conflict
|
personal vs societal expectations
|
|
gptkbp:critical_reception
|
mixed
|
|
gptkbp:cultural_impact
|
inspired discussions on social issues
|
|
gptkbp:director
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gptkb:Luis_Buñuel
gptkb:David_Mamet
|
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gptkbp:genre
|
literary fiction
|
|
gptkbp:graphics
|
gptkb:2015
|
|
https://www.w3.org/2000/01/rdf-schema#label
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Diary of a Chambermaid
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gptkbp:influence
|
gptkb:Politician
|
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gptkbp:influenced
|
subsequent literature on class and gender.
|
|
gptkbp:influenced_by
|
gptkb:Emile_Zola
gptkb:Gustave_Flaubert
|
|
gptkbp:inspiration
|
real-life experiences of chambermaids
|
|
gptkbp:main_character
|
gptkb:Célestine
|
|
gptkbp:motif
|
gptkb:military_operation
power dynamics
servitude
sexuality
|
|
gptkbp:narrative_style
|
first-person
|
|
gptkbp:notable_quote
|
" The world is a stage, and we are all actors."
|
|
gptkbp:official_language
|
gptkb:French
|
|
gptkbp:published_year
|
1900
|
|
gptkbp:release_year
|
gptkb:1964
gptkb:2010
|
|
gptkbp:setting
|
gptkb:Monarch
|
|
gptkbp:style
|
satirical
|
|
gptkbp:symbolism
|
the chambermaid's role
|
|
gptkbp:theme
|
class struggle
sexual politics
|
|
gptkbp:themes
|
gptkb:TV_series
gptkb:philosopher
gptkb:existentialism
morality
hypocrisy of the bourgeoisie
|
|
gptkbp:translated_into
|
gptkb:Spanish
gptkb:Native_American_tribe
English
|