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gptkbp:instance_of
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gptkb:film
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gptkbp:adaptation
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gptkb:stage_adaptation
|
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gptkbp:awards
|
Nominated for 1 Academy Award
Nominated for Academy Awards
Nominated for Academy Awards.
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gptkbp:based_on
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play by Frederick Knott
Play by Frederick Knott
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gptkbp:box_office
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$2.5 million
$1.5 million
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gptkbp:character
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gptkb:Inspector_Hubbard
gptkb:Margot_Wendice
gptkb:Mark_Halliday
gptkb:Tony_Wendice
gptkb:Leslie
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gptkbp:cinematography_by
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gptkb:Robert_Burks
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gptkbp:color
|
gptkb:Color
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gptkbp:country
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gptkb:United_States
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gptkbp:critical_reception
|
Generally positive reviews
Positive
Positive reviews
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|
gptkbp:cultural_impact
|
Considered a classic thriller.
Considered a classic thriller
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gptkbp:cultural_references
|
Referenced in various media.
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gptkbp:directed_by
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gptkb:Alfred_Hitchcock
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gptkbp:director
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gptkb:Alfred_Hitchcock
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gptkbp:distributor
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gptkb:Warner_Bros.
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gptkbp:edited_by
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gptkb:George_Tomasini
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gptkbp:famous_quote
|
" I don't want to be a part of this!"
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|
gptkbp:film_editing
|
gptkb:George_Tomasini
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gptkbp:film_festival
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gptkb:Cannes_Film_Festival
Screened at various film festivals.
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gptkbp:film_series
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Standalone
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gptkbp:film_technique
|
gptkb:TIE_fighter
gptkb:Vertigo
gptkb:narrative_structure
gptkb:Psycho
gptkb:The_Man_Who_Knew_Too_Much
gptkb:Rear_Window
Moral ambiguity
Close-up shots
Climactic confrontation
Cinematic tension
Psychological elements
Minimalist set design
Suspenseful pacing
Use of shadows
Character-driven story
Twists and turns in plot
Single set location.
Real-time narrative
Dialogue-driven plot
Single set location
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gptkbp:filming_location
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gptkb:London,_England
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gptkbp:genre
|
gptkb:Thriller
gptkb:mystery
gptkb:thriller
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gptkbp:home_media_release
|
DVD and Blu-ray
DVD and Blu-ray.
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|
https://www.w3.org/2000/01/rdf-schema#label
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Dial M for Murder
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gptkbp:influenced
|
Subsequent thrillers.
Subsequent mystery films
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gptkbp:influenced_by
|
gptkb:Film_Noir
gptkb:Film_noir
film noir
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gptkbp:inspiration
|
Real-life murder cases
Real-life murder cases.
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|
gptkbp:language
|
English
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gptkbp:legacy
|
Influenced future thrillers.
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gptkbp:music_by
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gptkb:Dimitri_Tiomkin
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gptkbp:notable_scene
|
The phone call scene
The twist ending.
The confrontation.
The murder attempt.
The phone call scene.
The reveal of the plan.
The murder attempt scene
The reveal of the plot
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|
gptkbp:plot
|
A man plots to murder his wife.
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gptkbp:produced_by
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gptkb:Paramount_Pictures
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gptkbp:production_company
|
gptkb:Paramount_Pictures
gptkb:Warner_Bros.
|
|
gptkbp:release_date
|
May 29, 1954
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|
gptkbp:release_year
|
gptkb:1954
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gptkbp:released_in
|
gptkb:1954
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|
gptkbp:remake
|
gptkb:Michael_Douglas
gptkb:Andrew_Davis
gptkb:Viggo_Mortensen
gptkb:1998
gptkb:Gwyneth_Paltrow
gptkb:A_Perfect_Murder
A Perfect Murder (1998)
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|
gptkbp:runtime
|
105 minutes
|
|
gptkbp:screenings
|
3 D
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gptkbp:screenplay_by
|
gptkb:Frederick_Knott
|
|
gptkbp:set_in
|
gptkb:London
|
|
gptkbp:setting
|
gptkb:London
|
|
gptkbp:starring
|
gptkb:Ray_Milland
gptkb:Robert_Cummings
gptkb:Grace_Kelly
|
|
gptkbp:theme
|
gptkb:Justice
gptkb:Betrayal
gptkb:Deception
gptkb:Murder
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gptkbp:bfsParent
|
gptkb:Alfred_Hitchcock
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gptkbp:bfsLayer
|
3
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