|
gptkbp:instance_of
|
gptkb:play
|
|
gptkbp:bfsLayer
|
5
|
|
gptkbp:bfsParent
|
gptkb:The_Green_Table
|
|
gptkbp:adaptation
|
gptkb:film
|
|
gptkbp:adapted_into
|
gptkb:opera
ballets
|
|
gptkbp:author
|
gptkb:Carl_Zuckmayer
|
|
gptkbp:character_development
|
symbolic
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:cultural_impact
|
gptkb:significant
|
|
gptkbp:depicts
|
peace negotiations
|
|
gptkbp:explores
|
human conflict
|
|
gptkbp:features
|
dance elements
|
|
gptkbp:filming_location
|
gptkb:Berlin
|
|
gptkbp:first_performance
|
1931
|
|
gptkbp:genre
|
gptkb:High_School
|
|
gptkbp:has_theme
|
gptkb:betrayal
gptkb:Saint
futility of war
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Der Grüne Tisch
|
|
gptkbp:influence
|
gptkb:theatre
|
|
gptkbp:influenced
|
later playwrights
political theater
|
|
gptkbp:inspired_by
|
gptkb:historical_event
|
|
gptkbp:is_associated_with
|
gptkb:the_Weimar_Republic
gptkb:the_Dada_movement
the avant-garde
|
|
gptkbp:is_available_in
|
gptkb:printer
digital format
|
|
gptkbp:is_considered
|
a classic
a political statement
|
|
gptkbp:is_part_of
|
German literature
|
|
gptkbp:is_recognized_by
|
theater critics
|
|
gptkbp:is_referenced_in
|
gptkb:musical
gptkb:films
gptkb:literary_work
|
|
gptkbp:is_studied_in
|
theater courses
|
|
gptkbp:language
|
gptkb:Native_American_tribe
|
|
gptkbp:notable_character
|
gptkb:The_Green_Table
|
|
gptkbp:notable_production
|
1932 production
|
|
gptkbp:performance
|
expressionism
|
|
gptkbp:performed_by
|
gptkb:theater_festivals
universities
schools
professional actors
various theater companies
amateur actors
|
|
gptkbp:published_by
|
1930s
|
|
gptkbp:related_to
|
anti-war sentiment
|
|
gptkbp:setting
|
gptkb:World_War_I
|
|
gptkbp:theme
|
gptkb:war
|
|
gptkbp:translated_into
|
multiple languages
|
|
gptkbp:uses
|
gptkb:literary_work
|