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gptkbp:instance_of
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gptkb:film
|
|
gptkbp:based_on
|
Golem legend
|
|
gptkbp:character
|
gptkb:Rabbi_Loew
gptkb:Miriam
gptkb:The_Emperor
gptkb:The_Golem
The Rabbi's assistant
|
|
gptkbp:cinematography
|
gptkb:Karl_Freund
|
|
gptkbp:country
|
gptkb:Germany
|
|
gptkbp:critical_reception
|
Cult classic
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|
gptkbp:cultural_impact
|
Influenced horror genre
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|
gptkbp:director
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gptkb:Paul_Wegener
|
|
gptkbp:distributor
|
gptkb:UFA
|
|
gptkbp:editing
|
Rudolf Schaad
|
|
gptkbp:famous_quote
|
" The Golem is a creature of clay."
|
|
gptkbp:film_festival
|
gptkb:Berlin_International_Film_Festival
|
|
gptkbp:film_series
|
Golem series
|
|
gptkbp:film_technique
|
gptkb:Symbolism
Silent film
Non-linear narrative
Visual storytelling
Use of light and shadow
Shadow play
Expressionist cinematography
|
|
gptkbp:genre
|
Horror
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Der Golem, wie er in die Welt kam
|
|
gptkbp:influenced
|
gptkb:Frankenstein
|
|
gptkbp:influenced_artists
|
gptkb:Terry_Gilliam
gptkb:Guillermo_del_Toro
gptkb:Tim_Burton
gptkb:David_Lynch
gptkb:George_A._Romero
|
|
gptkbp:influenced_by
|
gptkb:Expressionism
|
|
gptkbp:inspiration
|
Jewish folklore
|
|
gptkbp:is_set_in
|
gptkb:Hans_Poelzig
|
|
gptkbp:language
|
gptkb:German
|
|
gptkbp:music
|
Hans Landsberger
|
|
gptkbp:notable_actor
|
gptkb:Lyda_Salmonova
gptkb:Paul_Wegener
|
|
gptkbp:notable_scene
|
Golem's awakening
|
|
gptkbp:premiere
|
gptkb:Berlin
|
|
gptkbp:release_year
|
gptkb:1920
|
|
gptkbp:remake
|
gptkb:The_Golem_(2018)
|
|
gptkbp:restoration
|
2010 restoration
|
|
gptkbp:runtime
|
85 minutes
|
|
gptkbp:screenplay
|
gptkb:Paul_Wegener
|
|
gptkbp:special_effects
|
Stop motion
|
|
gptkbp:theme
|
gptkb:Jewish_identity
Fear of the unknown
Creation and destruction
Power and responsibility
|
|
gptkbp:bfsParent
|
gptkb:Paul_Wegener
|
|
gptkbp:bfsLayer
|
5
|