Statements (104)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:opera
|
| gptkbp:bfsLayer |
4
|
| gptkbp:bfsParent |
gptkb:The_Black_Rider
|
| gptkbp:activities |
gptkb:3
|
| gptkbp:adaptation |
gptkb:film
adapted into films various stage productions |
| gptkbp:associated_act |
gptkb:3
|
| gptkbp:character |
gptkb:Max
gptkb:Kuno gptkb:Balthasar Agathe Kaspar |
| gptkbp:choreography |
not typically choreographed
|
| gptkbp:collaborations |
Agathe and Max duet
|
| gptkbp:composer |
gptkb:Carl_Maria_von_Weber
|
| gptkbp:critical_reception |
well-received by audiences
well-received at premiere |
| gptkbp:cultural_impact |
inspired other composers
inspired later composers |
| gptkbp:cultural_references |
referenced in literature
|
| gptkbp:cultural_significance |
part of German cultural heritage
pioneering work in Romantic music |
| gptkbp:famous_for |
its use of folk elements
|
| gptkbp:famous_person |
gptkb:Max
Agathe Kaspar |
| gptkbp:first_performance |
gptkb:Berlin
|
| gptkbp:focus |
fate and free will
|
| gptkbp:genre |
Romantic opera
|
| gptkbp:historical_context |
reflects German folklore
|
| gptkbp:historical_significance |
pioneering work in Romanticism
important in the development of opera |
| https://www.w3.org/2000/01/rdf-schema#label |
Der Freischütz
|
| gptkbp:influence |
German opera
|
| gptkbp:influenced |
gptkb:Wagner
gptkb:Meyerbeer gptkb:Berlioz later operas |
| gptkbp:inspiration |
inspired by folk tales
|
| gptkbp:is_a |
gptkb:opera
|
| gptkbp:language |
gptkb:Native_American_tribe
|
| gptkbp:legacy |
remains a staple in opera repertoire
|
| gptkbp:librettist |
gptkb:Friedrich_Kind
|
| gptkbp:music_style |
three acts
through-composed early Romantic style |
| gptkbp:notable_appearance |
Wolf's Glen Scene
|
| gptkbp:notable_conductors |
gptkb:Herbert_von_Karajan
|
| gptkbp:notable_event |
Bayreuth Festival performance
|
| gptkbp:notable_for |
finale ensemble piece
|
| gptkbp:notable_performance |
frequently performed
performed at major opera houses frequently performed opera |
| gptkbp:notable_performers |
gptkb:Jonas_Kaufmann
gptkb:Thomas_Hampson gptkb:Diana_Damrau |
| gptkbp:notable_production |
gptkb:Berlin_State_Opera
gptkb:Vienna_State_Opera gptkb:opera Bavarian State Opera production |
| gptkbp:notable_recordings |
numerous
numerous recordings exist numerous recordings available Deutsche Grammophon recording |
| gptkbp:notable_song |
Wolf's Glen Scene
Agathe's aria |
| gptkbp:orchestration |
large orchestra
|
| gptkbp:performed_by |
gptkb:various_languages
overture of Der Freischütz |
| gptkbp:premiere |
1821
|
| gptkbp:premiere_date |
1821
|
| gptkbp:setting |
gptkb:government_agency
|
| gptkbp:thematic_element |
gptkb:Order
love nature supernatural struggle between good and evil nature and the supernatural |
| gptkbp:theme |
use of folk melodies
|
| gptkbp:themes |
the importance of community
the struggle between good and evil the nature of love the hero's journey the impact of technology on society the quest for redemption the search for identity the conflict between tradition and modernity the power of nature the role of fate in love the consequences of ambition the relationship between man and nature the exploration of morality the exploration of the human condition the significance of choice the exploration of the human psyche the impact of societal expectations the role of fate in human life the exploration of fear and courage the tension between individual desires and societal norms the exploration of tradition versus progress the marksman's pact with the devil the supernatural in everyday life |
| gptkbp:written_by |
gptkb:Carl_Maria_von_Weber
|