Statements (72)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:art_movement
|
| gptkbp:associated_with |
gptkb:Franz_Marc
gptkb:Paul_Klee gptkb:Wassily_Kandinsky gptkb:Gabriele_Münter |
| gptkbp:dissolved |
gptkb:1914
|
| gptkbp:emphasizes |
spirituality in art
|
| gptkbp:exhibited_at |
gptkb:Munich
|
| gptkbp:exhibitions |
gptkb:Berlin
gptkb:New_York gptkb:St._Petersburg |
| gptkbp:founded |
1911
|
| gptkbp:had |
a significant impact on modern art
|
| gptkbp:has_members |
gptkb:various_countries
|
| https://www.w3.org/2000/01/rdf-schema#label |
Der Blaue Reiter group
|
| gptkbp:included |
gptkb:Alexej_von_Jawlensky
gptkb:Marianne_von_Werefkin gptkb:August_Macke |
| gptkbp:influenced |
gptkb:Expressionism
|
| gptkbp:inspired |
later avant-garde movements
|
| gptkbp:is_active_in |
gptkb:Germany
|
| gptkbp:is_associated_with |
the Blaue Reiter exhibition
|
| gptkbp:is_documented_in |
art journals
|
| gptkbp:is_explored_in |
the relationship between art and music
|
| gptkbp:is_focused_on |
color theory
|
| gptkbp:promoted |
abstract art
|
| gptkbp:published |
gptkb:The_Blue_Rider_Almanac
|
| gptkbp:sought_to_express |
the inner experience
|
| gptkbp:uses |
non-representational forms
|
| gptkbp:was_a_response_to |
academic art
|
| gptkbp:was_characterized_by |
vivid colors
dynamic forms the exploration of the subconscious symbolic content the exploration of spirituality the exploration of the human experience a focus on nature the exploration of new materials the use of abstraction the use of personal expression the use of symbolism the rejection of realism the exploration of artistic identity the use of innovative techniques the exploration of color the exploration of emotion the exploration of cultural themes the use of geometric shapes the exploration of the relationship between art and society the exploration of artistic collaboration the exploration of artistic freedom the exploration of the natural world the exploration of the role of the artist. the exploration of visual language the use of abstraction in representation the use of color symbolism the use of contrasting colors the use of dynamic compositions the use of emotional depth the use of experimental forms the use of innovative perspectives the use of visual metaphors the use of vivid imagery |
| gptkbp:was_influenced_by |
gptkb:fauvism
impressionism Russian folk art theosophy |
| gptkbp:was_involved_in |
the development of modernism
|
| gptkbp:was_known_for |
its avant-garde approach
|
| gptkbp:was_part_of |
the Munich Secession
|
| gptkbp:bfsParent |
gptkb:Wassily_Kandinsky
|
| gptkbp:bfsLayer |
4
|