Statements (48)
Predicate | Object |
---|---|
gptkbp:instanceOf |
film
|
gptkbp:awards |
Best Experimental Film at the 2002 New York Film Festival
|
gptkbp:boxOffice |
limited release
|
gptkbp:cinematographyBy |
gptkb:Bill_Morrison
|
gptkbp:criticalReception |
acclaimed
|
gptkbp:culturalImpact |
significant in film preservation discussions
|
gptkbp:directedBy |
gptkb:Bill_Morrison
|
gptkbp:distributor |
gptkb:Kino_International
|
gptkbp:editedBy |
gptkb:Bill_Morrison
|
gptkbp:exhibitedAt |
gptkb:Berlin_International_Film_Festival
gptkb:Toronto_International_Film_Festival MoMA |
gptkbp:features |
decaying film footage
|
gptkbp:genre |
experimental film
|
https://www.w3.org/2000/01/rdf-schema#label |
Decasia
|
gptkbp:influenced |
contemporary experimental filmmakers
|
gptkbp:influencedBy |
avant-garde cinema
art installation video art documentary film found footage |
gptkbp:inspiration |
the decay of film
|
gptkbp:language |
English
|
gptkbp:musicBy |
gptkb:Gavin_Bryars
|
gptkbp:narrativeStyle |
non-linear
|
gptkbp:notableWriters |
2003 Ann Arbor Film Festival
2003 Edinburgh International Film Festival 2003 Hong Kong International Film Festival 2003 London Film Festival 2003 Melbourne International Film Festival 2003 New York Film Festival 2003 Rotterdam International Film Festival 2003 San Francisco International Film Festival 2003 Sydney Film Festival 2003 Vancouver International Film Festival |
gptkbp:premieredOn |
2002 Sundance Film Festival
|
gptkbp:producedBy |
gptkb:Bill_Morrison
|
gptkbp:releasedIn |
2002
|
gptkbp:runtime |
70 minutes
|
gptkbp:soundtrack |
experimental music
|
gptkbp:style |
abstract
|
gptkbp:technology |
repetition
slow motion montage juxtaposition |
gptkbp:theme |
time
memory mortality |