Statements (106)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:musical_composition
|
| gptkbp:associated_with |
gptkb:French_Impressionism
French culture French music |
| gptkbp:available_in |
sheet music
|
| gptkbp:characteristics |
lyrical melodies
rich harmonies innovative textures evocative harmonies |
| gptkbp:characterized_by |
fluid rhythms
|
| gptkbp:composer |
gptkb:Claude_Debussy
|
| gptkbp:dedicated_to |
the piano
the pianist and composer |
| gptkbp:explores |
emotional landscapes
|
| gptkbp:famous_landmark |
in piano repertoire
|
| gptkbp:first_performance |
1910
|
| gptkbp:first_published |
14 pieces
10 pieces |
| gptkbp:form |
solo piano
|
| gptkbp:genre |
classical music
|
| https://www.w3.org/2000/01/rdf-schema#label |
Debussy Preludes
|
| gptkbp:includes |
gptkb:La_Cathédrale_Engloutie
gptkb:La_Fille_aux_Cheveux_de_Lin Minstrels complex rhythms dynamic contrasts varied tempos Les Collines d' Anacapri Voiles |
| gptkbp:influenced |
gptkb:jazz_music
film music later composers contemporary classical music modern piano compositions |
| gptkbp:influenced_by |
symbolism
French music |
| gptkbp:inspired |
film scores
improvisation techniques dance interpretations |
| gptkbp:inspired_by |
gptkb:poetry
nature |
| gptkbp:is_analyzed_in |
musicology
musicology studies its thematic development its harmonic language |
| gptkbp:is_celebrated_for |
its originality
its emotional range its lyrical qualities |
| gptkbp:is_cited_in |
music reviews
|
| gptkbp:is_divided_into |
two books
|
| gptkbp:is_often_associated_with |
impressionist art
|
| gptkbp:is_often_compared_to |
gptkb:Chopin's_Preludes
|
| gptkbp:is_often_described_as |
colorful
evocative mood-driven |
| gptkbp:is_often_discussed_in |
music theory classes
|
| gptkbp:is_often_featured_in |
recitals
piano competitions |
| gptkbp:is_often_referenced_in |
gptkb:popular_culture
music literature |
| gptkbp:is_often_seen_in |
impressionistic landscapes
|
| gptkbp:is_often_used_in |
gptkb:film_adaptations
gptkb:music_education orchestras music conservatories recitals music students pianists various interpretations solo recitals solo piano works |
| gptkbp:is_recognized_as |
a significant work in piano literature
a cornerstone of piano repertoire |
| gptkbp:is_recognized_for |
its cultural impact
|
| gptkbp:is_taught_in |
music schools
|
| gptkbp:notable_for |
its emotional depth
expressive depth subtle nuances its rich textures its innovative structures pianistic textures innovative use of tonality its evocative titles its impressionistic qualities |
| gptkbp:notable_production |
gptkb:Prélude_à_l'après-midi_d'un_faune
|
| gptkbp:number_of_pieces |
gptkb:24
|
| gptkbp:often_includes |
piano competitions
music anthologies piano anthologies |
| gptkbp:part_of |
piano repertoire
|
| gptkbp:performed_at |
music festivals
|
| gptkbp:performed_by |
many pianists
orchestras in arrangements |
| gptkbp:performed_in |
gptkb:concerts
|
| gptkbp:published |
1910
|
| gptkbp:recorded_by |
numerous artists
many artists |
| gptkbp:reflects |
Debussy's musical philosophy
|
| gptkbp:style |
gptkb:Impressionism
|
| gptkbp:bfsParent |
gptkb:Sviatoslav_Richter
gptkb:Leif_Ove_Andsnes gptkb:Alfred_Brendel gptkb:Leon_Fleisher gptkb:Emil_Gilels gptkb:Khatia_Buniatishvili |
| gptkbp:bfsLayer |
5
|