gptkbp:instance_of
|
gptkb:musical_composition
|
gptkbp:characteristics
|
Evocative titles
|
gptkbp:composer
|
gptkb:Claude_Debussy
|
gptkbp:critical_reception
|
Highly regarded
|
gptkbp:cultural_impact
|
Significant in 20th-century music
|
gptkbp:dedicated_to
|
gptkb:None
|
gptkbp:dedication
|
gptkb:none
|
gptkbp:duration
|
gptkb:Varies
|
gptkbp:first_performance
|
1910
|
gptkbp:form
|
Piano solo
|
gptkbp:genre
|
Classical
classical music
|
https://www.w3.org/2000/01/rdf-schema#label
|
Debussy's Préludes
|
gptkbp:influenced
|
Modern classical music
|
gptkbp:influenced_by
|
gptkb:Symbolism
gptkb:Impressionism
|
gptkbp:inspiration
|
gptkb:Nature
|
gptkbp:instruments
|
gptkb:piano
|
gptkbp:is_divided_into
|
two books
|
gptkbp:legacy
|
Influenced many composers
|
gptkbp:notable_performers
|
gptkb:Lang_Lang
gptkb:Sviatoslav_Richter
gptkb:Hélène_Grimaud
gptkb:Stephen_Hough
gptkb:Marc-André_Hamelin
gptkb:Emanuel_Ax
gptkb:Sergei_Rachmaninoff
gptkb:Vladimir_Ashkenazy
gptkb:Nikolai_Lugansky
gptkb:Alfred_Cortot
gptkb:Leif_Ove_Andsnes
gptkb:Rudolf_Serkin
gptkb:Dinu_Lipatti
gptkb:Krzysztof_Penderecki
gptkb:Mitsuko_Uchida
gptkb:Murray_Perahia
gptkb:Daniel_Barenboim
gptkb:Dmitri_Alexeev
gptkb:Yefim_Bronfman
gptkb:Jean-Yves_Thibaudet
gptkb:Boris_Berezovsky
gptkb:Yuja_Wang
gptkb:Clara_Haskil
gptkb:András_Schiff
gptkb:Vikingur_Olafsson
gptkb:Angela_Hewitt
gptkb:Artur_Rubinstein
gptkb:Igor_Levit
gptkb:Khatia_Buniatishvili
gptkb:Maurizio_Pollini
|
gptkbp:notable_production
|
gptkb:Hommage_à_Rameau
gptkb:L'_Isle_joyeuse
gptkb:La_cathédrale_engloutie
gptkb:La_sérénade_interrompue
gptkb:Prélude_à_l'après-midi_d'un_faune
gptkb:La_fille_aux_cheveux_de_lin
Minstrels
Les sons et les parfums tournent dans l'air du soir
Voiles
Les collines d' Anacapri
Ce qu'a vu le vent d'ouest
Canope
Feuilles mortes
General Lavine -Excentric
La Puerta del Vino
La danse de Puck
Les fées sont d'exquises danseuses
Les tierces alternées
|
gptkbp:number_of_pieces
|
gptkb:24
|
gptkbp:performance
|
Solo piano
|
gptkbp:performed_by
|
gptkb:piano
|
gptkbp:published
|
1910
|
gptkbp:published_by
|
Durand
|
gptkbp:published_in
|
1910
|
gptkbp:recordings
|
Numerous available
|
gptkbp:related_works
|
gptkb:Suite_Bergamasque
|
gptkbp:style
|
gptkb:Impressionism
Impressionistic
|
gptkbp:technique
|
Harmonic innovation
|
gptkbp:bfsParent
|
gptkb:Grigory_Sokolov
|
gptkbp:bfsLayer
|
5
|