Statements (186)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:play
|
| gptkbp:bfsLayer |
3
|
| gptkbp:bfsParent |
gptkb:musical
gptkb:Tony_Award_for_Best_Play gptkb:The_John_Golden_Theatre gptkb:The_Ethel_Barrymore_Theatre gptkb:The_Barrymore_Theatre gptkb:theatre gptkb:The_Shubert_Theatre gptkb:Goodman_Theatre gptkb:Arthur_Miller gptkb:The_Belasco_Theatre gptkb:Tony_Award_for_Best_Revival_of_a_Play gptkb:earthquake gptkb:Court_Theatre gptkb:The_Booth_Theatre |
| gptkbp:adaptation |
gptkb:musical
gptkb:television_series gptkb:radio_station gptkb:graphic_novel gptkb:film various international productions radio adaptations 2019 Broadway revival stage revival 2015 film adaptation 1985 television film |
| gptkbp:adapted_into |
gptkb:musical
gptkb:anthology gptkb:television_series gptkb:film various media formats multiple directors |
| gptkbp:addresses |
societal expectations
|
| gptkbp:awarded_by |
gptkb:Pulitzer_Prize_for_Drama
|
| gptkbp:awards |
gptkb:Tony_Award_for_Best_Play
gptkb:Pulitzer_Prize_for_Drama gptkb:New_York_Drama_Critics'_Circle_Award |
| gptkbp:character |
gptkb:Charley
gptkb:Happy_Loman gptkb:Ben_Loman gptkb:Linda_Loman gptkb:Biff_Loman |
| gptkbp:conflict |
societal expectations
father-son relationship personal failure |
| gptkbp:contains |
symbolism
|
| gptkbp:critical_reception |
widely acclaimed
controversial themes |
| gptkbp:cultural_impact |
gptkb:American_theater
gptkb:literary_work gptkb:film inspired various adaptations frequently performed musical adaptations considered a classic widely studied in schools |
| gptkbp:depicts |
mental health issues
disillusionment |
| gptkbp:directed_by |
various directors
|
| gptkbp:examines |
mental health
|
| gptkbp:explores |
gptkb:TV_series
mental health success failure capitalism disillusionment family dynamics failure and success |
| gptkbp:features |
flashbacks
family dynamics |
| gptkbp:features_character |
gptkb:Happy_Loman
gptkb:Linda_Loman gptkb:Biff_Loman |
| gptkbp:first_performance |
gptkb:1949
|
| gptkbp:follows |
gptkb:Willy_Loman
|
| gptkbp:genre |
gptkb:earthquake
|
| gptkbp:has |
symbolism
multiple adaptations influenced many playwrights a significant cultural impact revived multiple times a complex narrative structure been revived numerous times |
| gptkbp:has_influence_on |
modern theater
|
| https://www.w3.org/2000/01/rdf-schema#label |
Death of a Salesman
|
| gptkbp:influenced |
gptkb:American_theater
modern drama theater movements subsequent playwrights |
| gptkbp:influenced_by |
realism
|
| gptkbp:influences |
gptkb:American_theater
modern drama |
| gptkbp:inspiration |
Miller's own experiences
Miller's father Miller's uncle |
| gptkbp:inspired |
numerous adaptations
|
| gptkbp:is |
performed frequently
a classic a subject of academic research a reflection of societal values considered a masterpiece a significant cultural artifact often referenced in popular culture often studied in schools a critique of capitalism a story of disillusionment a reflection of the human condition a tragedy a narrative about dreams and aspirations a reflection on the passage of time a commentary on identity a commentary on the nature of success a critique of the pursuit of wealth a narrative about hope and despair a narrative about legacy and memory a narrative about the search for meaning a portrayal of personal failure a portrayal of the American family a portrayal of the working class a reflection of post-war America a significant work in Arthur Miller's career a staple of American literature a story of ambition and regret a story of dreams unfulfilled a story of familial conflict often analyzed by scholars part of the American canon |
| gptkbp:is_associated_with |
post-war America
|
| gptkbp:is_available_in |
print and digital formats
|
| gptkbp:is_cited_in |
literary critiques
|
| gptkbp:is_considered |
a classic
one of Arthur Miller's best works |
| gptkbp:is_criticized_for |
capitalism
portrayal of masculinity |
| gptkbp:is_explored_in |
theater studies
|
| gptkbp:is_known_for |
its critique of the American Dream
|
| gptkbp:is_noted_for |
its emotional depth
|
| gptkbp:is_part_of |
American literature canon
|
| gptkbp:is_recognized_by |
a significant cultural work
|
| gptkbp:is_referenced_in |
gptkb:organization
|
| gptkbp:is_studied_in |
in schools
|
| gptkbp:language |
English
|
| gptkbp:main_character |
gptkb:Willy_Loman
|
| gptkbp:motif |
the flute
|
| gptkbp:narrative_style |
non-linear
|
| gptkbp:notable_quote |
“ A man is not a bird, to be caged.”
“ I am not a dime a dozen!” “ The jungle is dark but full of diamonds.” “ The man who makes an appearance in the business world, the man who creates personal interest, is the man who gets ahead.” “ A small man can be just as exhausted as a great man.” |
| gptkbp:performance |
performed internationally
revived on Broadway |
| gptkbp:performed_by |
gptkb:theatre
worldwide high schools many languages various actors theater worldwide professional theater companies |
| gptkbp:premiered_on |
gptkb:1949
February 10, 1949 |
| gptkbp:published_by |
gptkb:1949
gptkb:Viking_Press |
| gptkbp:set_in |
gptkb:Borough
the 1940s |
| gptkbp:setting |
gptkb:Borough
|
| gptkbp:style |
realism
|
| gptkbp:symbolism |
seeds
the car the seeds the flute the rubber hose |
| gptkbp:theme |
the American Dream
|
| gptkbp:themes |
gptkb:TV_series
gptkb:betrayal success failure family dynamics the American Dream |
| gptkbp:translated_into |
multiple languages
|
| gptkbp:uses |
flashbacks
monologues |
| gptkbp:winner |
gptkb:Pulitzer_Prize_for_Drama
|
| gptkbp:written_by |
gptkb:Arthur_Miller
|
| gptkbp:written_in |
English
|